Rachel-Weisz-rachel-weisz-120258_800_1101I’m mostly known for my male creations — The Peregrine & Lazarus Gray, for instance — but I’ve spent a good bit of my career writing female leads. The Damned Thing, Rabbit Heart and Gravedigger all feature strong female characters and I’ve also written a couple of stories featuring Nightveil, from AC Comics’ comic book universe. I’m proud of those books, especially since the pulp field is still so testosterone-heavy. New Pulp does have The Pulptress, Elisa Hill and Callie but those are still just a drop in the bucket.

I’ve tried to add to the diversity of characters within the field while not making too big of a deal about it. The Lazarus Gray series not only features Samantha Grace as a major part of the storyline but I also have Eun Jiwon, a member of the team who is both homosexual and Korean. In Gravedigger, we have Li Yuchun, a Chinese American, and Mitchell, a British hero of African descent. I’m not doing this to make any kind of point, really — I simply want to reflect the real world, which the original pulps didn’t always do.

Rachel-Weisz-rachel-weisz-120258_800_1101I’m mostly known for my male creations — The Peregrine & Lazarus Gray, for instance — but I’ve spent a good bit of my career writing female leads. The Damned Thing, Rabbit Heart and Gravedigger all feature strong female characters and I’ve also written a couple of stories featuring Nightveil, from AC Comics’ comic book universe. I’m proud of those books, especially since the pulp field is still so testosterone-heavy. New Pulp does have The Pulptress, Elisa Hill and Callie but those are still just a drop in the bucket.

I’ve tried to add to the diversity of characters within the field while not making too big of a deal about it. The Lazarus Gray series not only features Samantha Grace as a major part of the storyline but I also have Eun Jiwon, a member of the team who is both homosexual and Korean. In Gravedigger, we have Li Yuchun, a Chinese American, and Mitchell, a British hero of African descent. I’m not doing this to make any kind of point, really — I simply want to reflect the real world, which the original pulps didn’t always do.