How Far Is Too Far?

I keep most of my New Pulp writing in the PG-13 range but I’ve been known to cross “the line” on occasion… some of you may remember when Sun Koh mutilated a rapist in an old Peregrine story, for instance. And my novel Rabbit Heart is basically a study in excess! Whenever I thought that I might be pushing the envelope too far in that book, I went ahead and tore it open.

But when is it *really* too far?

I’ve kept hardcore sex and violence out of Lazarus Gray, for instance, but there’s an element of subjectivity there, as with all artistic endeavors. When I wrote The Damned Thing, there was a scene early on that involved oral sex. To be honest, I’d forgotten about it by the time it saw print — it was just a brief character moment and believe it or not, not every scene sticks in the mind of the person who wrote it (I write a lot of scenes…). So when it came out, I had a reader who went on and on about that scene and how much it disturbed them. I didn’t even remember what they were talking about! See, for them, that was shocking and extremely memorable. For me, it was no big deal. So you never know how folks will respond.

But there are times when even I know that I might be going into territory that would be best left undisturbed. I’ve mentioned before that I started writing a sequel to Rabbit Heart — it was going to be titled Starstruck. In fact, I wrote about 12,000 words on it, meaning it’s about 20% complete. But even as I was writing the opening scenes of Starstruck, I knew that this probably couldn’t see print. Despite how far I’d gone with Rabbit Heart, I went a lot further into the disturbing territory with just the first 12,000 words on Starstruck. There is at least one scene in there that I think would be hard for people to get out of their heads when they thought of me… and I’m not quite sure I want to go there.

Nobody’s read Starstruck – not even people who’ve really begged & pleaded! I’ve thought about finishing it but it’s so dark and if I didn’t publish it, what would be the point? I’ve considered completing it and then sticking it in a box with a note to say that it could be published after I was dead & gone but then I’d miss the perverse pleasure of seeing people freak out!

On the other hand, I don’t want to tone the story down, either. If I’m going to write disgusting smut then by God, I’m going to write disgusting smut!

Anyway, I think that I’ll continue staying on the PG-13 path for most of my New Pulp work – I often try to craft stories that will appeal to adolescent boys the way that classic pulp did me when I was that age. A little titillation is fine but I try not to veer too far into adult territory. Of course, sometimes the characters demand their course of action (like Sun Koh did in that Peregrine story) and often what I consider PG-13 isn’t what someone else would. In fact, I had one lady tell me she’d never let her 15 year old son read my books because they contained too many “demonic” elements.

In the end, the work puts whatever restrictions on itself that feel appropriate. When I’m writing The Peregrine, there’s a certain feeling to the world that lets me know the basic parameters, even if I sometimes bump against the guard rails.

The Occult Forces Project

br8smallOne of the background elements that has featured in a lot of my pulp adventure stories is the Geheimnisvolles Kraft-Projekt, also dubbed The Occult Forces Project or OFP. Founded in the late 1930s, the OFP was dedicated to utilizing super-science and magic in the name of The Reich and was a subset of The Ahnenerbe. The group had several notable successes when it came to creating larger-than-life figures who spread the Nazi ideals across the globe. Thankfully, they were defeated at every turn by heroes like The Peregrine and Lazarus Gray. A division of the OFP was known as the Department of Occult Armaments (D.O.O.M.) and was headed by Dr. Meer.

Here are some of the more notable agents of the OFP that we’ve seen thus far:

Silver Wolf – This werewolf agent of the SS named Karl Raider battled Lazarus Gray and The Darkling in 1937 during the events of “Eidolon” (The Adventures of Lazarus Gray Volume Three). He was enslaved by Princess Femi before he had a fatal encounter with The Darkling.

Geist – General Luther Strauss was a graduate of the OFP who encountered Assistance Unlimited in 1937. An accident in Tibet left him with the ability to manifest ghostly powers. Blackmailed by The Darkling, Geist worked as a double agent until his skills were no longer needed and The Darkling killed him. His story is told in “Eidolon” (The Adventures of Lazarus Gray Volume Three).

Mr. Death – Otto Luther was a sadistic Nazi scientist before being transformed by the blood of The Mother of Pus into the skeletal figure known as Mr. Death in 1938. His madness became even greater than before and he clashed with Lazarus Gray, Gravedigger and The Peregrine during the events known as Götterdämmerung before later teaming with The Torch to combat Lazarus Gray in Transylvania. His body ended up being housed in Lazarus Gray’s super-prison, Tartarus (Götterdämmerung novel and “The Strands of Fate,” The Adventures of Lazarus Gray Volume Six).

The Torch – August Hauff was a famous scientist whose body chemistry was altered to the point that exposure to the air caused his body to burst into flame. He had to wear a protective suit that could also project fire – which he could then control via his mind. The Torch was sent after Mr. Death when Otto Luther went rogue and the two of them embarked on a scheme to capture the Eye of Cagliostro in Transylvania. He soon became a prisoner in Tartarus (“The Strands of Fate,” The Adventures of Lazarus Gray Volume Six). His exploits took place in 1938.

Heidi Von Sinn This young woman was a pseudo-vampire, afflicted with an enzyme disorder that forced her to consume human blood to survive. She was stronger and faster than a normal woman. Heidi Von Sinn was her codename, assigned to her by a fetishistic scientist who also designed her leather-clad outfit. She was sent to Sovereign City to retrieve a mystic artifact, which led her into a short-lived alliance with an out-of-control Golem. This was in 1938 and depicted in “Tapestry” (The Adventures of Lazarus Gray Volume Six).

The Iron Maiden – Kirsten Bauer ascended through the ranks of the OFP and gained possession of a deadly suit of armor. An expert in Norse mythology, she was involved in something called Project: Ragnarok, which sought to use ancient Norse relics to boost the power of The Reich. To this end, she pursued the so-called Sword of Hel to Atlanta, Georgia in 1941. Eventually falling in love with The Peregrine’s friend Will McKenzie, The Iron Maiden defected and began using her abilities to help the Allies. Her first appearance came in “The Iron Maiden” (The Peregrine Volume One) and she was a frequent supporting character in the series after that.

The Grim Reaper – Not long after Bauer’s defection, Werner Richter arrived in America. Using the fearsome identity of The Grim Reaper, Richter battled The Peregrine for possession of three crystal skulls that contained tremendous power. These events are shown in “The Three Skulls” (The Peregrine Volume One).

The Black Zeppelin & Sun Koh – Lamar Bane was a brilliant scientist who became involved in the creation of something dubbed The Un-Earth. This project resulted in the creation of a Nazi superman known as Sun Koh. Bane battled The Peregrine, Catalyst (Nathaniel Caine) and Esper (Rachel Winters) in 1942. That adventure was depicted in “Catalyst” (The Peregrine Volume One) and The Peregrine’s encounter with Sun Koh was depicted in “The Scorched God” (The Peregrine Volume Two), also set in 1942.

The Furies – Three beautiful but deadly agents of The Axis Powers, the Furies were created by the OFP. They were feared throughout the world before they embarked on an adventure to locate Sun Koh. They were at his side when his plan to destroy Washington evaporated and all three women were killed. This adventure took place in 1942 and was shown in “The Scorched God” (The Peregrine Volume Two).

Steel Jaw – Albert Speiros was disfigured by a grenade blast but he was given new life as part of D.O.O.M., a subset of the OFP. After the large number of defeats the OFP had suffered, Steel Jaw was one of the few remaining from the original program as of 1942. Unfortunately, he had the misfortune of encountering The Warlike Manchu and during the two’s battle, Speiros was brutally murdered. This was shown in “The Resurrection Gambit” (The Peregrine Volume One).

Baron Rudolph Gustav – An ancient vampire with designs of his own for ultimate power, Gustav was loosely affiliated with the OFP before he gained possession of The Rod of Aaron and attempted to use it to take over the mind of The Peregrine’s wife — who was also Gustav’s reincarnated lover! This exciting battle, which culminated right in front of Hitler himself, took place in “Dead of Night,” from The Peregrine Volume Two. This was set in 1943.

Our art today is by Anthony Castrillo and features one of the deadly Furies.

How Far Is Too Far?

Psst-Masked-GirlI keep most of my New Pulp writing in the PG-13 range but I’ve been known to cross “the line” on occasion… some of you may remember when Sun Koh mutilated a rapist in an old Peregrine story, for instance. And my novel Rabbit Heart is basically a study in excess! Whenever I thought that I might be pushing the envelope too far in that book, I went ahead and tore it open.

But when is it *really* too far?

I’ve kept hardcore sex and violence out of Lazarus Gray, for instance, but there’s an element of subjectivity there, as with all artistic endeavors. When I wrote The Damned Thing, there was a scene early on that involved oral sex. To be honest, I’d forgotten about it by the time it saw print — it was just a brief character moment and believe it or not, not every scene sticks in the mind of the person who wrote it (I write a lot of scenes…). So when it came out, I had a reader who went on and on about that scene and how much it disturbed them. I didn’t even remember what they were talking about! See, for them, that was shocking and extremely memorable. For me, it was no big deal. So you never know how folks will respond.

But there are times when even I know that I might be going into territory that would be best left undisturbed. I’ve mentioned before that I started writing a sequel to Rabbit Heart — it was going to be titled Starstruck. In fact, I wrote about 12,000 words on it, meaning it’s about 20% complete. But even as I was writing the opening scenes of Starstruck, I knew that this probably couldn’t see print. Despite how far I’d gone with Rabbit Heart, I went a lot further into the disturbing territory with just the first 12,000 words on Starstruck. There is at least one scene in there that I think would be hard for people to get out of their heads when they thought of me… and I’m not quite sure I want to go there.

Nobody’s read Starstruck – not even people who’ve really begged & pleaded! I’ve thought about finishing it but it’s so dark and if I didn’t publish it, what would be the point? I’ve considered completing it and then sticking it in a box with a note to say that it could be published after I was dead & gone but then I’d miss the perverse pleasure of seeing people freak out!

On the other hand, I don’t want to tone the story down, either. If I’m going to write disgusting smut then by God, I’m going to write disgusting smut!

Anyway, I think that I’ll continue staying on the PG-13 path for most of my New Pulp work – I often try to craft stories that will appeal to adolescent boys the way that classic pulp did me when I was that age. A little titillation is fine but I try not to veer too far into adult territory. Of course, sometimes the characters demand their course of action (like Sun Koh did in that Peregrine story) and often what I consider PG-13 isn’t what someone else would. In fact, I had one lady tell me she’d never let her 15 year old son read my books because they contained too many “demonic” elements.

In the end, the work puts whatever restrictions on itself that feel appropriate. When I’m writing The Peregrine, there’s a certain feeling to the world that lets me know the basic parameters, even if I sometimes bump against the guard rails.

How Far Is Too Far?

Psst-Masked-GirlI keep most of my New Pulp writing in the PG-13 range but I’ve been known to cross “the line” on occasion… some of you may remember when Sun Koh mutilated a rapist in an old Peregrine story, for instance. And my novel Rabbit Heart is basically a study in excess! Whenever I thought that I might be pushing the envelope too far in that book, I went ahead and tore it open.

But when is it *really* too far?

I’ve kept hardcore sex and violence out of Lazarus Gray, for instance, but there’s an element of subjectivity there, as with all artistic endeavors. When I wrote The Damned Thing, there was a scene early on that involved oral sex. To be honest, I’d forgotten about it by the time it saw print — it was just a brief character moment and believe it or not, not every scene sticks in the mind of the person who wrote it (I write a lot of scenes…). So when it came out, I had a reader who went on and on about that scene and how much it disturbed them. I didn’t even remember what they were talking about! See, for them, that was shocking and extremely memorable. For me, it was no big deal. So you never know how folks will respond.

But there are times when even I know that I might be going into territory that would be best left undisturbed. I’ve mentioned before that I started writing a sequel to Rabbit Heart — it was going to be titled Starstruck. In fact, I wrote about 12,000 words on it, meaning it’s about 20% complete. But even as I was writing the opening scenes of Starstruck, I knew that this probably couldn’t see print. Despite how far I’d gone with Rabbit Heart, I went a lot further into the disturbing territory with just the first 12,000 words on Starstruck. There is at least one scene in there that I think would be hard for people to get out of their heads when they thought of me… and I’m not quite sure I want to go there.

Nobody’s read Starstruck – not even people who’ve really begged & pleaded! I’ve thought about finishing it but it’s so dark and if I didn’t publish it, what would be the point? I’ve considered completing it and then sticking it in a box with a note to say that it could be published after I was dead & gone but then I’d miss the perverse pleasure of seeing people freak out!

On the other hand, I don’t want to tone the story down, either. If I’m going to write disgusting smut then by God, I’m going to write disgusting smut!

Anyway, I think that I’ll continue staying on the PG-13 path for most of my New Pulp work – I often try to craft stories that will appeal to adolescent boys the way that classic pulp did me when I was that age. A little titillation is fine but I try not to veer too far into adult territory. Of course, sometimes the characters demand their course of action (like Sun Koh did in that Peregrine story) and often what I consider PG-13 isn’t what someone else would. In fact, I had one lady tell me she’d never let her 15 year old son read my books because they contained too many “demonic” elements.

In the end, the work puts whatever restrictions on itself that feel appropriate. When I’m writing The Peregrine, there’s a certain feeling to the world that lets me know the basic parameters, even if I sometimes bump against the guard rails.

How Far Is Too Far?

mellisa-clarke-2I keep most of my New Pulp writing in the PG-13 range but I’ve been known to cross “the line” on occasion… some of you may remember when Sun Koh ripped a rapist’s penis off in The Rook Volume Six, for instance! And my novel Rabbit Heart (soon to return to print via Pro Se Press) is basically a study in excess! Whenever I thought that I might be pushing the envelope too far, I went ahead and tore it open.

But when is it *really* too far?

I’ve kept hardcore sex and violence out of Lazarus Gray, for instance, but there’s an element of subjectivity there, as with all artistic endeavors. When I wrote The Damned Thing, there was a scene early on that involved oral sex. To be honest, I’d forgotten about it by the time it saw print — it was just a brief character moment and believe it or not, not every scene sticks in the mind of the person who wrote it (I write a lot of scenes…). So when it came out, I had a reader who went on and on about that scene and how much it disturbed them. I didn’t even remember what they were talking about! See, for them, that was shocking and extremely memorable. For me, it was no big deal. So you never know how folks will respond.

But there are times when even I know that I might be going into territory that would be best left undisturbed. I’ve mentioned before that I started writing a sequel to Rabbit Heart — it was going to be titled Starstruck. In fact, I wrote about 12,000 words on it, meaning it’s about 20% complete. But even as I was writing the opening scenes of Starstruck, I knew that this probably couldn’t see print. Despite how far I’d gone with Rabbit Heart, I went a lot further into the disturbing territory with just the first 12,000 words on Starstruck. There is at least one scene in there that I think would be hard for people to get out of their heads when they thought of me… and I’m not quite sure I want to go there.

Nobody’s read Starstruck – not even people who’ve really begged & pleaded! I’ve thought about finishing it but it’s so dark and if I didn’t publish it, what would be the point? I’ve considered completing it and then sticking it in a box with a note to say that it could be published after I was dead & gone but then I’d miss the perverse pleasure of seeing people freak out!

On the other hand, I don’t want to tone the story down, either. If I’m going to write disgusting smut then by God, I’m going to write disgusting smut!

Anyway, I think that I’ll continue staying on the PG-13 path for most of my New Pulp work – I often try to craft stories that will appeal to adolescent boys the way that classic pulp did me when I was that age. A little titillation is fine but I try not to veer too far into adult territory. Of course, sometimes the characters demand their course of action (like Sun Koh did in Rook v. 6) and often what I consider PG-13 isn’t what someone else would. In fact, I had one lady tell me she’d never let her 15 year old son read my books because they contained too many “demonic” elements.