Robbie Williams – Ranking the Albums

Robbie Williams Wallpaper @ go4celebrity.comGenerally I stay focused on my writing career on this blog but from time to time I like to venture forth into other passions that I have. For instance, I’ve posted rpg writeups and talked tv shows. When it comes to music, I have many favorites – David Bowie, Marina and the Diamonds, Led Zeppelin, Prince and Fleetwood Mac are just a few of them. But my absolute favorite music artist is Robbie Williams, the British pop superstar who’s well known everywhere but here, in the jolly USA. Robbie started out in a boy band called Take That back in the Nineties before going solo. He then began selling records… lots and lots of them. A few years ago, he even patched things up with the rest of the boys in Take That and released an album called Progress that dominated the UK charts and spawned a huge tour. Today I’m going over my favorite Robbie solo albums in order from the very best to the bottom of the barrel. I’m not including compilations or live albums here.

1. Reality Killed the Video Star (2009) – Kind of an odd choice, given that it’s the only album in Robbie’s career that didn’t hit # 1 in the UK. But I love this record and think that from start to finish, it’s an enjoyable listen. My favorites include Bodies, You Know Me, Starstruck and Won’t Do That. I just feel it’s a truly solid album that speaks to the wide range of talents that Robbie possesses. I actually listen to it quite often and think it works as both background music while I work and for when I want to just sit and listen to the lyrics.

2. Escapology (2002) – Considering that my two favorite Robbie songs are both off this album, I’m sure a lot of my friends would expect this to be in the top spot on my list. But while it contains many, many wonderful tracks, it does contain a couple of clunkers – How Peculiar and Cursed, for instance, are two songs that I can go the rest of my life without hearing again. Still, it contains Feel (my all-time favorite Rob song), Come Undone (my second favorite), Something Beautiful, Handsome Man, Hot Fudge and Me and My Monkey, all of which I really dig.

3. Take the Crown (2012) – A really strong outing that shows how much Robbie has matured. He’s a married man and a father now and you can see that all of that has helped calm his manic nature a bit. The lyrics remain deeply personal but are of a different sort. Now we see a Rob who’s promising to never betray his love, who thinks about where he’s been and where he hopes to be, etc. Contains some real gems like Candy, Be a Boy, Gospel, Different and Not Like the Others. A lot of people really enjoy Losers and while I dig the lyrics, the actual track isn’t one of my favorites.

4. I’ve Been Expecting You (1998) – Robbie’s second solo album is a classic, with perennial favorites like Strong, No Regrets, Millenium, Win Some Lose Some, She’s the One and Jesus in a Camper Van. Really, there are no stinkers on this album and it could easily be higher on this list… but I think that it’s very much of it’s time, as well, in terms of sound and Rob’s state of mind. As such, while I adore all those tracks I listed above, as an album it feels a little lighter than the ones I’ve ranked ahead of it. Still, a great one.

5. The Heavy Entertainment Show (2016) – This one is a slightly meandering effort, with a dizzying array of music styles. There are some truly great tracks on this one, with my favorites being Party Like A Russian, Love My Life, Sensitive, Hotel Crazy, David’s Song, Best Intentions and Bruce Lee. There aren’t any tracks that I hate but there are a few that are of the “B-Side” variety. Overall, it’s a really solid effort that I think will be more appreciated as time goes on.

6. Under the Radar, Volume 2 (2017) – A much stronger effort than the first volume in this series of albums that consist of unreleased tracks, B-sides and Demos. The first half of this album is filled with great tracks: Satellites, Eyes on the Highway, Speaking Tongues, Andy Warhol and my personal favorite, Numb. That’s not to say the album as a whole is a terrific one as the back half is mostly stuff that’s pretty forgettable. Still, I do listen to the first 8 or 9 tracks pretty frequently – even Rob’s cover of 9 to 5, which sounds like he’s having a hell of a time at a Karaoke bar, is fun.

7. Sing When You’re Winning (2000) – A truly strong effort that, for me, solidified that Robbie was going to be around for the long haul. More mature than previous releases, it also displayed stunning self-assurance and confidence in his abilities. My favorite tracks include Supreme, Rock DJ, The Road to Mandalay, Kids and Better Man. There are a couple of tracks that are fairly weak, though, and that’s what moves it down to the sixth slot. I remember being so excited when this album was released and I wasn’t disappointed at all.

8. Intensive Care (2005) – While a fine album with a few stellar tracks, there remains something… off… about this one. I think we can begin to see the things that eventually veer off-track with the next album. I think that at this point, few people were questioning Rob’s decisions. He was selling tons of albums and singles so why should they doubt him? But there are tracks on here (Sin Sin Sin, which was actually released as a single) that feel a bit phoned-in and by the numbers. Still, I love Ghosts, Advertising Space, Please Don’t Die and The Trouble With Me. It’s a good album, just lesser than those above it on this list.

9. Life Thru a Lens (1997) – Rob’s debut album. It contains mega-hit Angels, which single-handedly transformed him into an international superstar. Lazy Days, Old Before I Die and Let Me Entertain You are all fine tracks and have rightly become classics in their own right. There are other songs, though, that reflect Rob’s struggle to become a solo star and which, no longer viewed in their 1997 context, just don’t hold up well. It’s definitely a flimsy record compared to his later works — a few wonderful songs surrounded by fluff.

10. Robbie Williams Swings Both Ways (2013) – Rob returned to swing in this follow-up to the 2001 Swing When You’re Winning. I rank this one higher because it contains several new tracks and two of them (“Shine My Shoes” & “Go Gentle”) are absolute classics. I really enjoy several of the oldies on this album, too, especially Rob’s versions of “Little Green Apples,” “16 Tons” and “Dream A Little Dream.” Is this as good as a pure, 100% Robbie album? Nah. But it’s a damned fine record.

11. Rudebox (2006) – Okay. I don’t hate this album and, in fact, think it has some very good tracks on it. But overall, it is a bit of a mess. The album doesn’t feel cohesive and contains a few embarrassing blunders (the title track wouldn’t be too bad as album filler but as the lead single? Very bad move). There were also a surprising number of covers (Bongo Bong and Je Ne T’Aime Plus, Lovelight, Kiss Me and Louise). I do really enjoy The Actor, The 80’s, The 90’s and Summertime but this was an album where someone should have stepped in and said “No, Robbie, this isn’t working.” It’s an example of excess to the extreme.

12. Under the Radar, Volume One (2014) – This one is an odd duck. It contains unreleased tracks that, for whatever reason, didn’t make it onto previous albums or as single B-sides. It was available only via Robbie’s official website so you weren’t even able to get it via normal retailers. Overall, most of these songs are exactly what you’d imagine — they’d make fine album filler but they’re not single-worthy. There are a few that I do enjoy (“H.E.S.,” “Surrender,” “Green Light,” and “The Pilot”) but there are also some that are… uh… not so good. A few suffer from poor decisions — “Super Tony,” for instance has a killer chorus but the song screeches to a halt every time Robbie does his little ‘cocaine’ thing in the song. Overall, this one is worth listening to if you’re a hardcore Robbie fan… but if you’re a fan of only his hits or are just scratching the surface of his catalog, you can skip this one.

13. Under the Radar, Volume Three (2019) – This one really does feel like an album consisting of filler material. I do enjoy Gold, No Fucks, I Just Want People to Like Me, Dirty Rotten and the acoustic versions of Hunting for You and Into the Silence… but there’s a lot here that’s just kind of blah. You get two different versions of Indestructible, acoustic versions of songs released on other Robbie albums and the humorous but slightly off-kilter National Anthem of Robbie. I love Rob’s cheekiness but the National Anthem seems just past the point of being funny… I see what he went for and there are a few lines that I chuckle at but I also can see people that don’t get Rob’s humor pointing at this as a good reason why they don’t like him.

14.  The Christmas Present (2019) – This album is actually a very nice package consisting of two discs and quite a few quality tunes. So why is rated so low? Well… it’s a Christmas album and I’m one of those folks that only listens to Christmas music a couple of months out of the year – so, despite how good some of these songs are, they simply don’t get much airplay around the Reese household. Maybe it’ll become a festive tradition each year to play some of these songs but unfortunately that results in a rather low ranking.

15. Swing When You’re Winning (2001) – This album only contains one new song (I Will Talk and Hollywood Will Listen), otherwise it’s covers of old swing jazz songs such as Mack the Knife, Something Stupid (which hit # 1 on the UK charts as a duet between Rob and Nicole Kidman) and Mr. Bojangles. It’s fun stuff but I rank it at the bottom because it’s certainly the least “Robbie Williams” album he’s ever done. Rob loves this stuff and has incorporated some of it into his stage shows ever since.

If you’re looking to get into Robbie’s music for the first time, I’d say start with either The Ego Has Landed, a 1999 compilation album that takes the best tracks off Life Thru a Lens and I’ve Been Expecting You or In and Out of Consciousness: Greatest Hits 1990-2010. The Ego Has Landed was actually my own introduction to Robbie so it obviously worked. In and Out of Consciousness has 2 CDs and 39 tracks so you get all the major hits but you lose the cohesive feel of an album. It’s a compilation, you know the routine.

I’ll be back soon to talk about New Pulp and what lies next for me, writing-wise. Take Care!

Robbie Williams – the albums, best to worst

Robbie Williams Wallpaper @ go4celebrity.comGenerally I stay focused on my writing career on this blog but from time to time I like to venture forth into other passions that I have. For instance, I’ve posted rpg writeups and talked tv shows. When it comes to music, I have many favorites – David Bowie, Marina and the Diamonds, Led Zeppelin, Prince and Fleetwood Mac are just a few of them. But my absolute favorite music artist is Robbie Williams, the British pop superstar who’s well known everywhere but here, in the jolly USA. Robbie started out in a boy band called Take That back in the Nineties before going solo. He then began selling records… lots and lots of them. A few years ago, he even patched things up with the rest of the boys in Take That and released an album called Progress that dominated the UK charts and spawned a huge tour. Today I’m going over my favorite Robbie solo albums in order from the very best to the bottom of the barrel. I’m not including compilations or live albums here.

1. Reality Killed the Video Star (2009) – Kind of an odd choice, given that it’s the only album in Robbie’s career that didn’t hit # 1 in the UK. But I love this record and think that from start to finish, it’s an enjoyable listen. My favorites include Bodies, You Know Me, Starstruck and Won’t Do That. I just feel it’s a truly solid album that speaks to the wide range of talents that Robbie possesses. I actually listen to it quite often and think it works as both background music while I work and for when I want to just sit and listen to the lyrics.

2. Escapology (2002) – Considering that my two favorite Robbie songs are both off this album, I’m sure a lot of my friends would expect this to be in the top spot on my list. But while it contains many, many wonderful tracks, it does contain a couple of clunkers – How Peculiar and Cursed, for instance, are two songs that I can go the rest of my life without hearing again. Still, it contains Feel (my all-time favorite Rob song), Come Undone (my second favorite), Something Beautiful, Handsome Man, Hot Fudge and Me and My Monkey, all of which I really dig.

3. Take the Crown (2012) – A really strong outing that shows how much Robbie has matured. He’s a married man and a father now and you can see that all of that has helped calm his manic nature a bit. The lyrics remain deeply personal but are of a different sort. Now we see a Rob who’s promising to never betray his love, who thinks about where he’s been and where he hopes to be, etc. Contains some real gems like Candy, Be a Boy, Gospel, Different and Not Like the Others. A lot of people really enjoy Losers and while I dig the lyrics, the actual track isn’t one of my favorites.

4. I’ve Been Expecting You (1998) – Robbie’s second solo album is a classic, with perennial favorites like Strong, No Regrets, Millenium, Win Some Lose Some, She’s the One and Jesus in a Camper Van. Really, there are no stinkers on this album and it could easily be higher on this list… but I think that it’s very much of it’s time, as well, in terms of sound and Rob’s state of mind. As such, while I adore all those tracks I listed above, as an album it feels a little lighter than the ones I’ve ranked ahead of it. Still, a great one.

5. The Heavy Entertainment Show (2016) – This one is a slightly meandering effort, with a dizzying array of music styles. There are some truly great tracks on this one, with my favorites being Party Like A Russian, Love My Life, Sensitive, Hotel Crazy, David’s Song, Best Intentions and Bruce Lee. There aren’t any tracks that I hate but there are a few that are of the “B-Side” variety. Overall, it’s a really solid effort that I think will be more appreciated as time goes on.

6. Under the Radar, Volume 2 (2017) – A much stronger effort than the first volume in this series of albums that consist of unreleased tracks, B-sides and Demos. The first half of this album is filled with great tracks: Satellites, Eyes on the Highway, Speaking Tongues, Andy Warhol and my personal favorite, Numb. That’s not to say the album as a whole is a terrific one as the back half is mostly stuff that’s pretty forgettable. Still, I do listen to the first 8 or 9 tracks pretty frequently – even Rob’s cover of 9 to 5, which sounds like he’s having a hell of a time at a Karaoke bar, is fun.

7. Sing When You’re Winning (2000) – A truly strong effort that, for me, solidified that Robbie was going to be around for the long haul. More mature than previous releases, it also displayed stunning self-assurance and confidence in his abilities. My favorite tracks include Supreme, Rock DJ, The Road to Mandalay, Kids and Better Man. There are a couple of tracks that are fairly weak, though, and that’s what moves it down to the sixth slot. I remember being so excited when this album was released and I wasn’t disappointed at all.

8. Intensive Care (2005) – While a fine album with a few stellar tracks, there remains something… off… about this one. I think we can begin to see the things that eventually veer off-track with the next album. I think that at this point, few people were questioning Rob’s decisions. He was selling tons of albums and singles so why should they doubt him? But there are tracks on here (Sin Sin Sin, which was actually released as a single) that feel a bit phoned-in and by the numbers. Still, I love Ghosts, Advertising Space, Please Don’t Die and The Trouble With Me. It’s a good album, just lesser than those above it on this list.

9. Life Thru a Lens (1997) – Rob’s debut album. It contains mega-hit Angels, which single-handedly transformed him into an international superstar. Lazy Days, Old Before I Die and Let Me Entertain You are all fine tracks and have rightly become classics in their own right. There are other songs, though, that reflect Rob’s struggle to become a solo star and which, no longer viewed in their 1997 context, just don’t hold up well. It’s definitely a flimsy record compared to his later works — a few wonderful songs surrounded by fluff.

10. Robbie Williams Swings Both Ways (2013) – Rob returned to swing in this follow-up to the 2001 Swing When You’re Winning. I rank this one higher because it contains several new tracks and two of them (“Shine My Shoes” & “Go Gentle”) are absolute classics. I really enjoy several of the oldies on this album, too, especially Rob’s versions of “Little Green Apples,” “16 Tons” and “Dream A Little Dream.” Is this as good as a pure, 100% Robbie album? Nah. But it’s a damned fine record.

11. Rudebox (2006) – Okay. I don’t hate this album and, in fact, think it has some very good tracks on it. But overall, it is a bit of a mess. The album doesn’t feel cohesive and contains a few embarrassing blunders (the title track wouldn’t be too bad as album filler but as the lead single? Very bad move). There were also a surprising number of covers (Bongo Bong and Je Ne T’Aime Plus, Lovelight, Kiss Me and Louise). I do really enjoy The Actor, The 80’s, The 90’s and Summertime but this was an album where someone should have stepped in and said “No, Robbie, this isn’t working.” It’s an example of excess to the extreme.

12. Under the Radar, Volume One (2014) – This one is an odd duck. It contains unreleased tracks that, for whatever reason, didn’t make it onto previous albums or as single B-sides. It was available only via Robbie’s official website so you weren’t even able to get it via normal retailers. Overall, most of these songs are exactly what you’d imagine — they’d make fine album filler but they’re not single-worthy. There are a few that I do enjoy (“H.E.S.,” “Surrender,” “Green Light,” and “The Pilot”) but there are also some that are… uh… not so good. A few suffer from poor decisions — “Super Tony,” for instance has a killer chorus but the song screeches to a halt every time Robbie does his little ‘cocaine’ thing in the song. Overall, this one is worth listening to if you’re a hardcore Robbie fan… but if you’re a fan of only his hits or are just scratching the surface of his catalog, you can skip this one.

13. Under the Radar, Volume Three (2019) – This one really does feel like an album consisting of filler material. I do enjoy Gold, No Fucks, I Just Want People to Like Me, Dirty Rotten and the acoustic versions of Hunting for You and Into the Silence… but there’s a lot here that’s just kind of blah. You get two different versions of Indestructible, acoustic versions of songs released on other Robbie albums and the humorous but slightly off-kilter National Anthem of Robbie. I love Rob’s cheekiness but the National Anthem seems just past the point of being funny… I see what he went for and there are a few lines that I chuckle at but I also can see people that don’t get Rob’s humor pointing at this as a good reason why they don’t like him.

14. Swing When You’re Winning (2001) – This album only contains one new song (I Will Talk and Hollywood Will Listen), otherwise it’s covers of old swing jazz songs such as Mack the Knife, Something Stupid (which hit # 1 on the UK charts as a duet between Rob and Nicole Kidman) and Mr. Bojangles. It’s fun stuff but I rank it at the bottom because it’s certainly the least “Robbie Williams” album he’s ever done. Rob loves this stuff and has incorporated some of it into his stage shows ever since.

If you’re looking to get into Robbie’s music for the first time, I’d say start with either The Ego Has Landed, a 1999 compilation album that takes the best tracks off Life Thru a Lens and I’ve Been Expecting You or In and Out of Consciousness: Greatest Hits 1990-2010. The Ego Has Landed was actually my own introduction to Robbie so it obviously worked. In and Out of Consciousness has 2 CDs and 39 tracks so you get all the major hits but you lose the cohesive feel of an album. It’s a compilation, you know the routine.

I’ll be back soon to talk about New Pulp and what lies next for me, writing-wise. Take Care!

Love My Life

Learning to love myself once more and this song by Robbie Williams is a tremendous anthem. It was written for his daughter but the message is one that I can take to heart — and you probably can, too.

A Brief Update

spiritThe past few weeks have been rough ones so my writing has slowed considerably. I did finish off the fourth story that will run in the eighth volume of Lazarus Gray so there’s only one more to go – I’m currently sitting at around 50,000 words on the volume. This book will basically span the entire year of 1940 and leave us on the precipice of America’s entry into the war, which will occur (of course) in December of ’41.

We had a couple of days of snow this week which is very unusual – it was only an inch or two of accumulation but that was enough to shut down the schools and send people scrambling for milk and bread at the stores. Madness!

I’ve been reading Reveal, the latest Robbie Williams biography, and really enjoying it. I’ll jump back into pulpier reading material when I’m done with this but I’m not rushing it.

Hopefully I’ll be back with another update soon.

Robbie Williams, The Albums- Best to Worst (Updated November 2016)

Robbie Williams Wallpaper @ go4celebrity.comGenerally I stay focused on my writing career on this blog but from time to time I like to venture forth into other passions that I have. For instance, I’ve posted rpg writeups and talked tv shows. When it comes to music, I have many favorites – David Bowie, Marina and the Diamonds, Led Zeppelin, Prince and Fleetwood Mac are just a few of them. But my absolute favorite music artist is Robbie Williams, the British pop superstar who’s well known everywhere but here, in the jolly USA. Robbie started out in a boy band called Take That back in the Nineties before going solo. He then began selling records… lots and lots of them. A few years ago, he even patched things up with the rest of the boys in Take That and released an album called Progress that dominated the UK charts and spawned a huge tour. Today I’m going over my favorite Robbie solo albums in order from the very best to the bottom of the barrel. I’m not including compilations or live albums here.

1. Reality Killed the Video Star (2009) – Kind of an odd choice, given that it’s the only album in Robbie’s career that didn’t hit # 1 in the UK. But I love this record and think that from start to finish, it’s an enjoyable listen. My favorites include Bodies, You Know Me, Starstruck and Won’t Do That. I just feel it’s a truly solid album that speaks to the wide range of talents that Robbie possesses. I actually listen to it quite often and think it works as both background music while I work and for when I want to just sit and listen to the lyrics.

2. Escapology (2002) – Considering that my two favorite Robbie songs are both off this album, I’m sure a lot of my friends would expect this to be in the top spot on my list. But while it contains many, many wonderful tracks, it does contain a couple of clunkers – How Peculiar and Cursed, for instance, are two songs that I can go the rest of my life without hearing again. Still, it contains Feel (my all-time favorite Rob song), Come Undone (my second favorite), Something Beautiful, Handsome Man, Hot Fudge and Me and My Monkey, all of which I really dig.

3. Take the Crown (2012) – A really strong outing that shows how much Robbie has matured. He’s a married man and a father now and you can see that all of that has helped calm his manic nature a bit. The lyrics remain deeply personal but are of a different sort. Now we see a Rob who’s promising to never betray his love, who thinks about where he’s been and where he hopes to be, etc. Contains some real gems like Candy, Be a Boy, Gospel, Different and Not Like the Others. A lot of people really enjoy Losers and while I dig the lyrics, the actual track isn’t one of my favorites.

4. I’ve Been Expecting You (1998) – Robbie’s second solo album is a classic, with perennial favorites like Strong, No Regrets, Millenium, Win Some Lose Some, She’s the One and Jesus in a Camper Van. Really, there are no stinkers on this album and it could easily be higher on this list… but I think that it’s very much of it’s time, as well, in terms of sound and Rob’s state of mind. As such, while I adore all those tracks I listed above, as an album it feels a little lighter than the ones I’ve ranked ahead of it. Still, a great one.

5. The Heavy Entertainment Show (2016) – This one is a slightly meandering effort, with a dizzying array of music styles. There are some truly great tracks on this one, with my favorites being Party Like A Russian, Love My Life, Sensitive, Hotel Crazy, David’s Song, Best Intentions and Bruce Lee. There aren’t any tracks that I hate but there are a few that are of the “B-Side” variety. Overall, it’s a really solid effort that I think will be more appreciated as time goes on.

6. Sing When You’re Winning (2000) – A truly strong effort that, for me, solidified that Robbie was going to be around for the long haul. More mature than previous releases, it also displayed stunning self-assurance and confidence in his abilities. My favorite tracks include Supreme, Rock DJ, The Road to Mandalay, Kids and Better Man. There are a couple of tracks that are fairly weak, though, and that’s what moves it down to the sixth slot. I remember being so excited when this album was released and I wasn’t disappointed at all.

7. Intensive Care (2005) – While a fine album with a few stellar tracks, there remains something… off… about this one. I think we can begin to see the things that eventually veer off-track with the next album. I think that at this point, few people were questioning Rob’s decisions. He was selling tons of albums and singles so why should they doubt him? But there are tracks on here (Sin Sin Sin, which was actually released as a single) that feel a bit phoned-in and by the numbers. Still, I love Ghosts, Advertising Space, Please Don’t Die and The Trouble With Me. It’s a good album, just lesser than those above it on this list.

8. Life Thru a Lens (1997) – Rob’s debut album. It contains mega-hit Angels, which single-handedly transformed him into an international superstar. Lazy Days, Old Before I Die and Let Me Entertain You are all fine tracks and have rightly become classics in their own right. There are other songs, though, that reflect Rob’s struggle to become a solo star and which, no longer viewed in their 1997 context, just don’t hold up well. It’s definitely a flimsy record compared to his later works — a few wonderful songs surrounded by fluff.

9. Robbie Williams Swings Both Ways (2013) – Rob returned to swing in this follow-up to the 2001 Swing When You’re Winning. I rank this one higher because it contains several new tracks and two of them (“Shine My Shoes” & “Go Gentle”) are absolute classics. I really enjoy several of the oldies on this album, too, especially Rob’s versions of “Little Green Apples,” “16 Tons” and “Dream A Little Dream.” Is this as good as a pure, 100% Robbie album? Nah. But it’s a damned fine record.

10. Rudebox (2006) – Okay. I don’t hate this album and, in fact, think it has some very good tracks on it. But overall, it is a bit of a mess. The album doesn’t feel cohesive and contains a few embarrassing blunders (the title track wouldn’t be too bad as album filler but as the lead single? Very bad move). There were also a surprising number of covers (Bongo Bong and Je Ne T’Aime Plus, Lovelight, Kiss Me and Louise). I do really enjoy The Actor, The 80’s, The 90’s and Summertime but this was an album where someone should have stepped in and said “No, Robbie, this isn’t working.” It’s an example of excess to the extreme.

11. Under the Radar, Volume One (2014) – This one is an odd duck. It contains unreleased tracks that, for whatever reason, didn’t make it onto previous albums or as single B-sides. It was available only via Robbie’s official website so you weren’t even able to get it via normal retailers. Overall, most of these songs are exactly what you’d imagine — they’d make fine album filler but they’re not single-worthy. There are a few that I do enjoy (“H.E.S.,” “Surrender,” “Green Light,” and “The Pilot”) but there are also some that are… uh… not so good. A few suffer from poor decisions — “Super Tony,” for instance has a killer chorus but the song screeches to a halt every time Robbie does his little ‘cocaine’ thing in the song. Overall, this one is worth listening to if you’re a hardcore Robbie fan… but if you’re a fan of only his hits or are just scratching the surface of his catalog, you can skip this one.

12. Swing When You’re Winning (2001) – This album only contains one new song (I Will Talk and Hollywood Will Listen), otherwise it’s covers of old swing jazz songs such as Mack the Knife, Something Stupid (which hit # 1 on the UK charts as a duet between Rob and Nicole Kidman) and Mr. Bojangles. It’s fun stuff but I rank it at the bottom because it’s certainly the least “Robbie Williams” album he’s ever done. Rob loves this stuff and has incorporated some of it into his stage shows ever since.

If you’re looking to get into Robbie’s music for the first time, I’d say start with either The Ego Has Landed, a 1999 compilation album that takes the best tracks off Life Thru a Lens and I’ve Been Expecting You or In and Out of Consciousness: Greatest Hits 1990-2010. The Ego Has Landed was actually my own introduction to Robbie so it obviously worked. In and Out of Consciousness has 2 CDs and 39 tracks so you get all the major hits but you lose the cohesive feel of an album. It’s a compilation, you know the routine.

I’ll be back soon to talk about New Pulp and what lies next for me, writing-wise. Take Care!

Robbie Williams – The Albums, Best to Worst (Updated December 2014)

Robbie Williams Wallpaper @ go4celebrity.comGenerally I stay focused on my writing career on this blog but from time to time I like to venture forth into other passions that I have. For instance, I’ve posted rpg writeups and talked tv shows. When it comes to music, I have many favorites – David Bowie, Marina and the Diamonds, Led Zeppelin, Prince and Fleetwood Mac are just a few of them. But my absolute favorite music artist is Robbie Williams, the British pop superstar who’s well known everywhere but here, in the jolly USA. Robbie started out in a boy band called Take That back in the Nineties before going solo. He then began selling records… lots and lots of them. A few years ago, he even patched things up with the rest of the boys in Take That and released an album called Progress that dominated the UK charts and spawned a huge tour. Today I’m going over my favorite Robbie solo albums in order from the very best to the bottom of the barrel. I’m not including compilations or live albums here.

1. Reality Killed the Video Star (2009) – Kind of an odd choice, given that it’s the only album in Robbie’s career that didn’t hit # 1 in the UK. But I love this record and think that from start to finish, it’s an enjoyable listen. My favorites include Bodies, You Know Me, Starstruck and Won’t Do That. I just feel it’s a truly solid album that speaks to the wide range of talents that Robbie possesses. I actually listen to it quite often and think it works as both background music while I work and for when I want to just sit and listen to the lyrics.

2. Escapology (2002) – Considering that my two favorite Robbie songs are both off this album, I’m sure a lot of my friends would expect this to be in the top spot on my list. But while it contains many, many wonderful tracks, it does contain a couple of clunkers – How Peculiar and Cursed, for instance, are two songs that I can go the rest of my life without hearing again. Still, it contains Feel (my all-time favorite Rob song), Come Undone (my second favorite), Something Beautiful, Handsome Man, Hot Fudge and Me and My Monkey, all of which I really dig.

3. Take the Crown (2012) – A really strong outing that shows how much Robbie has matured. He’s a married man and a father now and you can see that all of that has helped calm his manic nature a bit. The lyrics remain deeply personal but are of a different sort. Now we see a Rob who’s promising to never betray his love, who thinks about where he’s been and where he hopes to be, etc. Contains some real gems like Candy, Be a Boy, Gospel, Different and Not Like the Others. A lot of people really enjoy Losers and while I dig the lyrics, the actual track isn’t one of my favorites.

4. I’ve Been Expecting You (1998) – Robbie’s second solo album is a classic, with perennial favorites like Strong, No Regrets, Millenium, Win Some Lose Some, She’s the One and Jesus in a Camper Van. Really, there are no stinkers on this album and it could easily be higher on this list… but I think that it’s very much of it’s time, as well, in terms of sound and Rob’s state of mind. As such, while I adore all those tracks I listed above, as an album it feels a little lighter than the ones I’ve ranked ahead of it. Still, a great one.

5. Sing When You’re Winning (2000) – A truly strong effort that, for me, solidified that Robbie was going to be around for the long haul. More mature than previous releases, it also displayed stunning self-assurance and confidence in his abilities. My favorite tracks include Supreme, Rock DJ, The Road to Mandalay, Kids and Better Man. There are a couple of tracks that are fairly weak, though, and that’s what moves it down to the fifth slot. I remember being so excited when this album was released and I wasn’t disappointed at all.

6. Intensive Care (2005) – While a fine album with a few stellar tracks, there remains something… off… about this one. I think we can begin to see the things that eventually veer off-track with the next album. I think that at this point, few people were questioning Rob’s decisions. He was selling tons of albums and singles so why should they doubt him? But there are tracks on here (Sin Sin Sin, which was actually released as a single) that feel a bit phoned-in and by the numbers. Still, I love Ghosts, Advertising Space, Please Don’t Die and The Trouble With Me. It’s a good album, just lesser than those above it on this list.

7. Life Thru a Lens (1997) – Rob’s debut album. It contains mega-hit Angels, which single-handedly transformed him into an international superstar. Lazy Days, Old Before I Die and Let Me Entertain You are all fine tracks and have rightly become classics in their own right. There are other songs, though, that reflect Rob’s struggle to become a solo star and which, no longer viewed in their 1997 context, just don’t hold up well. It’s definitely a flimsy record compared to his later works — a few wonderful songs surrounded by fluff.

8. Robbie Williams Swings Both Ways (2013) – Rob returned to swing in this follow-up to the 2001 Swing When You’re Winning. I rank this one higher because it contains several new tracks and two of them (“Shine My Shoes” & “Go Gentle”) are absolute classics. I really enjoy several of the oldies on this album, too, especially Rob’s versions of “Little Green Apples,” “16 Tons” and “Dream A Little Dream.” Is this as good as a pure, 100% Robbie album? Nah. But it’s a damned fine record.

9. Rudebox (2006) – Okay. I don’t hate this album and, in fact, think it has some very good tracks on it. But overall, it is a bit of a mess. The album doesn’t feel cohesive and contains a few embarrassing blunders (the title track wouldn’t be too bad as album filler but as the lead single? Very bad move). There were also a surprising number of covers (Bongo Bong and Je Ne T’Aime Plus, Lovelight, Kiss Me and Louise). I do really enjoy The Actor, The 80’s, The 90’s and Summertime but this was an album where someone should have stepped in and said “No, Robbie, this isn’t working.” It’s an example of excess to the extreme.

10. Under the Radar, Volume One (2014) – This one is an odd duck. It contains unreleased tracks that, for whatever reason, didn’t make it onto previous albums or as single B-sides. It was available only via Robbie’s official website so you weren’t even able to get it via normal retailers. Overall, most of these songs are exactly what you’d imagine — they’d make fine album filler but they’re not single-worthy. There are a few that I do enjoy (“H.E.S.,” “Surrender,” “Green Light,” and “The Pilot”) but there are also some that are… uh… not so good. A few suffer from poor decisions — “Super Tony,” for instance has a killer chorus but the song screeches to a halt every time Robbie does his little ‘cocaine’ thing in the song. Overall, this one is worth listening to if you’re a hardcore Robbie fan… but if you’re a fan of only his hits or are just scratching the surface of his catalog, you can skip this one.

11. Swing When You’re Winning (2001) – This album only contains one new song (I Will Talk and Hollywood Will Listen), otherwise it’s covers of old swing jazz songs such as Mack the Knife, Something Stupid (which hit # 1 on the UK charts as a duet between Rob and Nicole Kidman) and Mr. Bojangles. It’s fun stuff but I rank it at the bottom because it’s certainly the least “Robbie Williams” album he’s ever done. Rob loves this stuff and has incorporated some of it into his stage shows ever since.

If you’re looking to get into Robbie’s music for the first time, I’d say start with either The Ego Has Landed, a 1999 compilation album that takes the best tracks off Life Thru a Lens and I’ve Been Expecting You or In and Out of Consciousness: Greatest Hits 1990-2010. The Ego Has Landed was actually my own introduction to Robbie so it obviously worked. In and Out of Consciousness has 2 CDs and 39 tracks so you get all the major hits but you lose the cohesive feel of an album. It’s a compilation, you know the routine.

I’ll be back soon to talk about New Pulp and what lies next for me, writing-wise. Take Care!

From the Vault: Robbie Williams – The Albums, Best To Worst

Robbie Williams Wallpaper @ go4celebrity.comGenerally I stay focused on my writing career on this blog but from time to time I like to venture forth into other passions that I have. For instance, I’ve posted rpg writeups and talked tv shows. When it comes to music, I have many favorites – David Bowie, Marina and the Diamonds, Led Zeppelin, Prince and Fleetwood Mac are just a few of them. But my absolute favorite music artist is Robbie Williams, the British pop superstar who’s well known everywhere but here, in the jolly USA. Robbie started out in a boy band called Take That back in the Nineties before going solo. He then began selling records… lots and lots of them. A few years ago, he even patched things up with the rest of the boys in Take That and released an album called Progress that dominated the UK charts and spawned a huge tour. Today I’m going over my favorite Robbie solo albums in order from the very best to the bottom of the barrel. I’m not including compilations or live albums here.

1. Reality Killed the Video Star (2009) – Kind of an odd choice, given that it’s the only album in Robbie’s career that didn’t hit # 1 in the UK. But I love this record and think that from start to finish, it’s an enjoyable listen. My favorites include Bodies, You Know Me, Starstruck and Won’t Do That. I just feel it’s a truly solid album that speaks to the wide range of talents that Robbie possesses. I actually listen to it quite often and think it works as both background music while I work and for when I want to just sit and listen to the lyrics.

2. Escapology (2002) – Considering that my two favorite Robbie songs are both off this album, I’m sure a lot of my friends would expect this to be in the top spot on my list. But while it contains many, many wonderful tracks, it does contain a couple of clunkers – How Peculiar and Cursed, for instance, are two songs that I can go the rest of my life without hearing again. Still, it contains Feel (my all-time favorite Rob song), Come Undone (my second favorite), Something Beautiful, Handsome Man, Hot Fudge and Me and My Monkey, all of which I really dig.

3. Take the Crown (2012) – A really strong outing that shows how much Robbie has matured. He’s a married man and a father now and you can see that all of that has helped calm his manic nature a bit. The lyrics remain deeply personal but are of a different sort. Now we see a Rob who’s promising to never betray his love, who thinks about where he’s been and where he hopes to be, etc. Contains some real gems like Candy, Be a Boy, Gospel, Different and Not Like the Others. A lot of people really enjoy Losers and while I dig the lyrics, the actual track isn’t one of my favorites.

4. I’ve Been Expecting You (1998) – Robbie’s second solo album is a classic, with perennial favorites like Strong, No Regrets, Millenium, Win Some Lose Some, She’s the One and Jesus in a Camper Van. Really, there are no stinkers on this album and it could easily be higher on this list… but I think that it’s very much of it’s time, as well, in terms of sound and Rob’s state of mind. As such, while I adore all those tracks I listed above, as an album it feels a little lighter than the ones I’ve ranked ahead of it. Still, a great one.

5. Sing When You’re Winning (2000) – A truly strong effort that, for me, solidified that Robbie was going to be around for the long haul. More mature than previous releases, it also displayed stunning self-assurance and confidence in his abilities. My favorite tracks include Supreme, Rock DJ, The Road to Mandalay, Kids and Better Man. There are a couple of tracks that are fairly weak, though, and that’s what moves it down to the fifth slot. I remember being so excited when this album was released and I wasn’t disappointed at all.

6. Intensive Care (2005) – While a fine album with a few stellar tracks, there remains something… off… about this one. I think we can begin to see the things that eventually veer off-track with the next album. I think that at this point, few people were questioning Rob’s decisions. He was selling tons of albums and singles so why should they doubt him? But there are tracks on here (Sin Sin Sin, which was actually released as a single) that feel a bit phoned-in and by the numbers. Still, I love Ghosts, Advertising Space, Please Don’t Die and The Trouble With Me. It’s a good album, just lesser than those above it on this list.

7. Life Thru a Lens (1997) – Rob’s debut album. It contains mega-hit Angels, which single-handedly transformed him into an international superstar. Lazy Days, Old Before I Die and Let Me Entertain You are all fine tracks and have rightly become classics in their own right. There are other songs, though, that reflect Rob’s struggle to become a solo star and which, no longer viewed in their 1997 context, just don’t hold up well. It’s definitely a flimsy record compared to his later works — a few wonderful songs surrounded by fluff.

8. Robbie Williams Swings Both Ways (2013) – Rob returned to swing in this follow-up to the 2001 Swing When You’re Winning. I rank this one higher because it contains several new tracks and two of them (“Shine My Shoes” & “Go Gentle”) are absolute classics. I really enjoy several of the oldies on this album, too, especially Rob’s versions of “Little Green Apples,” “16 Tons” and “Dream A Little Dream.” Is this as good as a pure, 100% Robbie album? Nah. But it’s a damned fine record.

9. Rudebox (2006) – Okay. I don’t hate this album and, in fact, think it has some very good tracks on it. But overall, it is a bit of a mess. The album doesn’t feel cohesive and contains a few embarrassing blunders (the title track wouldn’t be too bad as album filler but as the lead single? Very bad move). There were also a surprising number of covers (Bongo Bong and Je Ne T’Aime Plus, Lovelight, Kiss Me and Louise). I do really enjoy The Actor, The 80’s, The 90’s and Summertime but this was an album where someone should have stepped in and said “No, Robbie, this isn’t working.” It’s an example of excess to the extreme.

10. Swing When You’re Winning (2001) – This album only contains one new song (I Will Talk and Hollywood Will Listen), otherwise it’s covers of old swing jazz songs such as Mack the Knife, Something Stupid (which hit # 1 on the UK charts as a duet between Rob and Nicole Kidman) and Mr. Bojangles. It’s fun stuff but I rank it at the bottom because it’s certainly the least “Robbie Williams” album he’s ever done. Rob loves this stuff and has incorporated some of it into his stage shows ever since.

If you’re looking to get into Robbie’s music for the first time, I’d say start with either The Ego Has Landed, a 1999 compilation album that takes the best tracks off Life Thru a Lens and I’ve Been Expecting You or In and Out of Consciousness: Greatest Hits 1990-2010. The Ego Has Landed was actually my own introduction to Robbie so it obviously worked. In and Out of Consciousness has 2 CDs and 39 tracks so you get all the major hits but you lose the cohesive feel of an album. It’s a compilation, you know the routine.

I’ll be back tomorrow to talk about New Pulp and what lies next for me, writing-wise. Take Care!

Still Alive!

RobbieWilliamsIt has been a heck of a week. Things change so very fast that it can really make your head spin. I’m appreciative for all the support I’ve gotten from friends and fans via social media, though. It’s made a difficult time a little bit easier.

The good news? I’m still here and I’m still swinging.

Writing-wise, I’m still working on the final story for Lazarus Gray Volume Five and I agreed to do a short story for a new (to me) publisher for later in the year. Can’t tell you anything about that one yet but it should be fun. If I can finish off Lazarus this week, then I can hopefully get to work on the crossover novel soon.

Approved some more edits on the fourth book in the Lazarus series this past weekend so that should be on Pro Se’s schedule soon. I think you guys will really like it.

The Shadow Fan’s Podcast is on hiatus for now and I don’t know when it will return. I apologize for those of you who have been missing it. Dynamite did announce that the monthly Shadow book is ending with # 25 and they promise it will return in some other form. We’ll see. The monthly has been much more up-and-down in quality than the Year One or Dark Nights limited series but I’m sad to see it go.

I’ll be back tomorrow with more wacky fun. Enjoy the days, kids.

Robbie Williams: The Albums, Best to Worst (Updated)

Robbie Williams Wallpaper @ go4celebrity.comGenerally I stay focused on my writing career on this blog but from time to time I like to venture forth into other passions that I have. For instance, I’ve posted rpg writeups and talked tv shows. When it comes to music, I have many favorites – David Bowie, Marina and the Diamonds, Led Zeppelin, Prince and Fleetwood Mac are just a few of them. But my absolute favorite music artist is Robbie Williams, the British pop superstar who’s well known everywhere but here, in the jolly USA. Robbie started out in a boy band called Take That back in the Nineties before going solo. He then began selling records… lots and lots of them. A few years ago, he even patched things up with the rest of the boys in Take That and released an album called Progress that dominated the UK charts and spawned a huge tour. Today I’m going over my favorite Robbie solo albums in order from the very best to the bottom of the barrel. I’m not including compilations or live albums here.

1. Reality Killed the Video Star (2009) – Kind of an odd choice, given that it’s the only album in Robbie’s career that didn’t hit # 1 in the UK. But I love this record and think that from start to finish, it’s an enjoyable listen. My favorites include Bodies, You Know Me, Starstruck and Won’t Do That. I just feel it’s a truly solid album that speaks to the wide range of talents that Robbie possesses. I actually listen to it quite often and think it works as both background music while I work and for when I want to just sit and listen to the lyrics.

2. Escapology (2002) – Considering that my two favorite Robbie songs are both off this album, I’m sure a lot of my friends would expect this to be in the top spot on my list. But while it contains many, many wonderful tracks, it does contain a couple of clunkers – How Peculiar and Cursed, for instance, are two songs that I can go the rest of my life without hearing again. Still, it contains Feel (my all-time favorite Rob song), Come Undone (my second favorite), Something Beautiful, Handsome Man, Hot Fudge and Me and My Monkey, all of which I really dig.

3. Take the Crown (2012) – A really strong outing that shows how much Robbie has matured. He’s a married man and a father now and you can see that all of that has helped calm his manic nature a bit. The lyrics remain deeply personal but are of a different sort. Now we see a Rob who’s promising to never betray his love, who thinks about where he’s been and where he hopes to be, etc. Contains some real gems like Candy, Be a Boy, Gospel, Different and Not Like the Others. A lot of people really enjoy Losers and while I dig the lyrics, the actual track isn’t one of my favorites.

4. I’ve Been Expecting You (1998) – Robbie’s second solo album is a classic, with perennial favorites like Strong, No Regrets, Millenium, Win Some Lose Some, She’s the One and Jesus in a Camper Van. Really, there are no stinkers on this album and it could easily be higher on this list… but I think that it’s very much of it’s time, as well, in terms of sound and Rob’s state of mind. As such, while I adore all those tracks I listed above, as an album it feels a little lighter than the ones I’ve ranked ahead of it. Still, a great one.

5. Sing When You’re Winning (2000) – A truly strong effort that, for me, solidified that Robbie was going to be around for the long haul. More mature than previous releases, it also displayed stunning self-assurance and confidence in his abilities. My favorite tracks include Supreme, Rock DJ, The Road to Mandalay, Kids and Better Man. There are a couple of tracks that are fairly weak, though, and that’s what moves it down to the fifth slot. I remember being so excited when this album was released and I wasn’t disappointed at all.

6. Intensive Care (2005) – While a fine album with a few stellar tracks, there remains something… off… about this one. I think we can begin to see the things that eventually veer off-track with the next album. I think that at this point, few people were questioning Rob’s decisions. He was selling tons of albums and singles so why should they doubt him? But there are tracks on here (Sin Sin Sin, which was actually released as a single) that feel a bit phoned-in and by the numbers. Still, I love Ghosts, Advertising Space, Please Don’t Die and The Trouble With Me. It’s a good album, just lesser than those above it on this list.

7. Life Thru a Lens (1997) – Rob’s debut album. It contains mega-hit Angels, which single-handedly transformed him into an international superstar. Lazy Days, Old Before I Die and Let Me Entertain You are all fine tracks and have rightly become classics in their own right. There are other songs, though, that reflect Rob’s struggle to become a solo star and which, no longer viewed in their 1997 context, just don’t hold up well. It’s definitely a flimsy record compared to his later works — a few wonderful songs surrounded by fluff.

8. Robbie Williams Swings Both Ways (2013) – Rob returned to swing in this follow-up to the 2001 Swing When You’re Winning. I rank this one higher because it contains several new tracks and two of them (“Shine My Shoes” & “Go Gentle”) are absolute classics. I really enjoy several of the oldies on this album, too, especially Rob’s versions of “Little Green Apples,” “16 Tons” and “Dream A Little Dream.” Is this as good as a pure, 100% Robbie album? Nah. But it’s a damned fine record.

9. Rudebox (2006) – Okay. I don’t hate this album and, in fact, think it has some very good tracks on it. But overall, it is a bit of a mess. The album doesn’t feel cohesive and contains a few embarrassing blunders (the title track wouldn’t be too bad as album filler but as the lead single? Very bad move). There were also a surprising number of covers (Bongo Bong and Je Ne T’Aime Plus, Lovelight, Kiss Me and Louise). I do really enjoy The Actor, The 80’s, The 90’s and Summertime but this was an album where someone should have stepped in and said “No, Robbie, this isn’t working.” It’s an example of excess to the extreme.

10. Swing When You’re Winning (2001) – This album only contains one new song (I Will Talk and Hollywood Will Listen), otherwise it’s covers of old swing jazz songs such as Mack the Knife, Something Stupid (which hit # 1 on the UK charts as a duet between Rob and Nicole Kidman) and Mr. Bojangles. It’s fun stuff but I rank it at the bottom because it’s certainly the least “Robbie Williams” album he’s ever done. Rob loves this stuff and has incorporated some of it into his stage shows ever since.

If you’re looking to get into Robbie’s music for the first time, I’d say start with either The Ego Has Landed, a 1999 compilation album that takes the best tracks off Life Thru a Lens and I’ve Been Expecting You or In and Out of Consciousness: Greatest Hits 1990-2010. The Ego Has Landed was actually my own introduction to Robbie so it obviously worked. In and Out of Consciousness has 2 CDs and 39 tracks so you get all the major hits but you lose the cohesive feel of an album. It’s a compilation, you know the routine.

I’ll be back tomorrow to talk about New Pulp and what lies next for me, writing-wise. Take Care!

The Writing Doldrums

1335184765-Knhyugmoijmlop-So… I’m still working on this Pulse Fiction story. Honestly, I feel like I’ve spent a whole freakin’ month doing these 10,000 words.

And I’m still 1,700 short!

I really don’t get it. I’ve written entire 60,000 word novels in a month before! I’ll be glad to put the end on this one and surely I’ll be able to do that sometime this week.

Sometimes stories just click and sometimes they don’t.

To be honest, while I have a lot of enthusiasm for Lazarus Gray Volume Five and the upcoming “Crossover” novel, I’ve been been feeling a bit bummed about the writing world in general. There are days I want to tell everybody from my publisher on down to just go jump into a lake. I made a bid for a licensed character last year and thought I did a pretty good job of selling how I’d revive a dormant property. Hasn’t gone anywhere. I made a pitch to a publisher for a shot at working on a character who’s been one of my lifelong dreams… not even a “Thanks but no thanks.”

And the politics of the New Pulp world just exhaust me. It’s not just there, of course — politics exist everywhere. It’s just when everybody’s fighting over a frayed piece of carpet to begin with, you just wonder what they’re going on about.

It gets frustrating.

And then there’s the day job, where I’m working on The Georgia Literary Festival, which will be held on November 9, 2013. I’m the co-chair of this thing and If I had possessed even the tiniest notion of how much time this would end up taking, I would have run away screaming. I really want to have it over with.

I did end up signing on for another two years with Pro Se Press, which means they’ll be the exclusive publisher of all my pulp adventure characters. I really want to get the rest of The Rook series back into print, along with Rabbit Heart and The Damned Thing.

So… this has been a post where I’ve spent the entire time whining.

On a lighter note, I watched This Is The End and thought it was hilarious.  I also really, really like the two most recent songs that Robbie Williams has released for people to hear — Shine My Shoes and Go Gentle. Here’s the lyric video for the latter, which is a song written for Robbie’s daughter. I think it’s really sweet and I hope you enjoy it!