Tag: John Byrne

My Favorite Fantastic Four Runs

ffThe Fantastic Four is one of my favorite Marvel titles and with the company planning to relaunch them in their own book again soon, I figured it’s time to take a deep dive into the FF’s history.

Like DC’s Challengers of the Unknown, the FF is a very pulp-style concept and it lends itself to those kinds of storytelling. The family aspect of the team is also very appealing and sets them apart from other superhero groups.

So what runs are my favorites? Let’s take a gander:

9. Mark Waid/Mike Wieringo – I don’t love this run as much as others do. While I am a huge Wieringo fan, something never clicked with me during his FF run and the plots varied wildly in quality. Having said that, I actually enjoyed the mystic-centered Doom storyline and appreciated the fact that the FF’s family relationships were highlighted so strongly.

8. Chris Claremont/Salvador Larocca – Yes, it was basically the FF hanging out with all kinds of X-Men concepts but it had some great moments and it gave us Valeria, for which I will always be grateful. Besides, I liked the stuff with the Captain Britain Corps, Ronan and even Crucible. It was a fun period for the FF but it did rely too heavily upon Claremont’s mutant storylines.

7. James Robinson/Leonard Kirk – This run closed off the FF title for several years and I think that it’s mostly ignored as a result. Because so much of it dealt with the “fall” of the team, I think it’s a real shame that it ended when it did because Robinson did a great job with the various team personalities and Kirk killed it on the art. I would have liked to have seen them continue the book after the team had been reassembled. I particularly liked how Robinson handled Valeria.

6. Steve Englehart/Keith Pollard – This much-maligned run is a real guilty pleasure of mine. I always adore Englehart’s characterization and thought this run did a lot to recapture the epic scope of the FF. The team traveled all around the globe and into other dimensions, while uncovering all kinds of hidden Marvel lore. It also guest-starred Mantis, Kang, the Beyonder (they did a storyline called Secret Wars III that was, to me, absolutely wonderful) and tons more. The artwork was solid and the team dynamics — for most of the period, the squad was Ben (as leader), Johnny, Crystal and She-Thing — were a lot of fun to watch.

5. Marv Wolfman/Keith Pollard/John Byrne – The Wolfman period featured not only the greatest Reed/Doom battle of all time (issue 200) but also featured a wonderful multi-issue storyline where the FF teamed up with Nova and the Champions of Xandar to take on Galactus and The Sphinx. The throwdown between Galactus and The Sphinx remains one of my all-time favorite FF moments. As always with Wolfman, the characterization and plotting are pitch-perfect.

4. Carlos Pacheco/Jeff Loeb/Rafael Marin – First off, the art was incredible. Second, these guys actually made me enjoy two villains that had always bored the crap out of me: Diablo and Annihilus. The characterizations were great, the plots were exciting and I only wish that Pacheco could have stayed on even longer. I never hear people talking about this era but they should: it was tremendously fun!

3. Tom DeFalco/Paul Ryan – Yes, there were missteps along the way (Sue’s peekaboo costume, for instance) but there was so much great stuff, too. Even Sue’s costuming had a story explanation — Malice was influencing her, after all. I dearly wish this entire run was collected in trade. The art was solid and some of the storylines are just sheer, unadulterated fun. It really was like a Silver Age comic written with a dash of 90s sensibilities thrown in. Plus, it was one of the last times where it felt like the Fantastic Four title was a place where Important Things Happen. The “death” of Reed led to a heavy emphasis on both Kristoff and Ant-Man, which was fine by me, and I actually even enjoyed Hyperstorm.

2. John Byrne – An absolutely masterful run. Some of these stories are such absolute classics that it’s hard to limit yourself to naming just a few — the terror in a tiny town issue, the battle with Gladiator, the “everybody vs. Galactus” story, the arrival of She-Hulk to the team, etc. This period is rightfully considered one of the title’s Golden Ages and if you haven’t read it in its entirety, you haven’t read the FF.

1. Stan Lee/Jack Kirby – How can you not put this at the top? A 102 issue run (plus annuals) that set the foundation for the entire Marvel Universe. The Inhumans, Doctor Doom, Galactus, The Silver Surfer, the Kree, the Skrulls… you could go on and on. Kirby’s art was at its peak, Lee’s grandiose storytelling was never better… this is the pinnacle of the Marvel Silver Age.

What about you guys? What are your favorite FF runs?

My Ten Favorite Comic Book Artists

perezYeah, I like lists.

Anyway, in the past I’ve listed out my favorite Spider-Man writers, my favorite Spidey villains, my favorite classic and new pulp heroes & villains… heck, I even listed out my ten favorite pulp-inspired comics.

Today we’re looking at my top 10 favorite comic book artists. These are guys who always excite me when I hear their names are attached to various projects.

So let’s go!

10. Steve Rude – The Dude first came to my attention when he was working on Nexus. Loved the way he depicted the entire cast and he’s really underrated in the way that he draws facial expressions. The guy’s a master, period.

9. Jim Aparo – Aparo was the definitive Batman artist for me in the Seventies and I enjoyed his work on the Batman and the Outsiders series a lot. He also did great work on Aquaman over the years and in Brave and the Bold, he got to draw just about everybody!

8. Keith Giffen – If I had made this list in the 80s, Giffen would have been much, much higher. I adored his work on Legion of Super-Heroes but eventually his style became much more manic. I still enjoy it a lot (especially on Kirby-influenced projects) but there are times it comes off as a hot mess. Still, I’m always curious when I see his name attached to a project.

7. Will Meugniot – Will became one of my faves when he was doing DNAgents back in the 80s but I have continued to follow him through his work on Vanity and Femforce. He’s a remarkably talented guy and I’ve loved that I’ve had the chance to work with him on my own books.

6. Gene Colan – Colan was a master of atmosphere. I adored his pencils on Tomb of Dracula, Batman and Night Force. His work on other titles was sometimes a little odd in ways but I still loved his work. I mean, I would never have put him on Iron Man or Daredevil, for instance, and yet his pencils were so awesome that I didn’t even mind that he wasn’t a traditional superhero artist. He did work well on Batman, though.

5. Ivan Reis – The newest name on my list, Reis has really impressed me with his work on titles like Blackest Night, Green Lantern, Justice League and Aquaman. He’s amazing!

4. Chris Batista – I first noticed him on Legion of Super-Heroes and he’s actually my favorite Legion artist because he’s able to perfectly capture their youthful nature. I also really dug his work on Booster Gold and an all-too-brief run on Justice League. Why DC or Marvel hasn’t snatched him up for a major title is beyond me. I think he’d really rock on a New Gods revival, too.

3. John Byrne – Back in the day, Byrne was a stud. I followed him from X-Men to Fantastic Four to Alpha Flight to Superman… At some point, I think his work became somewhat less appealing to me but I still enjoy it. Aside from his work on Fantastic Four, I generally prefer him as an artist and not a writer but he’s capable of doing fine work on both sides of the creative fence.

2. Alan Davis – Captain Britain. Excalibur. The Nail. Batman. X-Men. Superboy’s Legion. I could go on and on. I am mad about his artwork. It’s fun, it’s sleek, it’s everything I want from a superhero artist. I’ve bought books simply because he drew them, even when I knew I’d dislike the story. He’s simply that good.

1. George Perez – The king of superhero artists in my opinion. He’s known for his crowd scenes — and they are awesome — but he’s also a fine character-based storyteller. Look at his run on New Teen Titans or Wonder Woman for proof. And unlike some artists, I find his later work to be just as good as the older stuff… Legion of 3 Worlds, his Avengers run with Kurt Busiek and his work on Worlds’ Finest are all fine examples of his more recent books that I think are great. For me, I’ll always associate him with the Titans first and foremost, then his work on Crisis. He also drew a fine, fine run of JLA.

My 10 Favorite Comic Book Artists

perezYeah, I like lists.

Anyway, in the past I’ve listed out my favorite Spider-Man writers, my favorite Spidey villains, my favorite classic and new pulp heroes & villains… heck, I even listed out my ten favorite pulp-inspired comics.

Today we’re looking at my top 10 favorite comic book artists. These are guys who always excite me when I hear their names are attached to various projects and over the years I’ve shared their work on my Facebook, on Tumblr, etc.

So let’s go!

10. Steve Rude – The Dude first came to my attention when he was working on Nexus. Loved the way he depicted the entire cast and he’s really underrated in the way that he draws facial expressions. The guy’s a master, period.

9. Jim Aparo – Aparo was the definitive Batman artist for me in the Seventies and I enjoyed his work on the Batman and the Outsiders series a lot. He also did great work on Aquaman over the years and in Brave and the Bold, he got to draw just about everybody!

8. Keith Giffen – If I had made this list in the 80s, Giffen would have been much, much higher. I adored his work on Legion of Super-Heroes but eventually his style became much more manic. I still enjoy it a lot (especially on Kirby-influenced projects) but there are times it comes off as a hot mess. Still, I’m always curious when I see his name attached to a project.

7. Will Meugniot – Will became one of my faves when he was doing DNAgents back in the 80s but I have continued to follow him through his work on Vanity and Femforce. He’s a remarkably talented guy and I’ve loved that I’ve had the chance to work with him on my own books.

6. Gene Colan – Colan was a master of atmosphere. I adored his pencils on Tomb of Dracula, Batman and Night Force. His work on other titles was sometimes a little odd in ways but I still loved his work. I mean, I would never have put him on Iron Man or Daredevil, for instance, and yet his pencils were so awesome that I didn’t even mind that he wasn’t a traditional superhero artist. He did work well on Batman, though.

5. Ivan Reis – The newest name on my list, Reis has really impressed me with his work on titles like Blackest Night, Green Lantern, Justice League and Aquaman. He’s amazing!

4. Chris Batista – I first noticed him on Legion of Super-Heroes and he’s actually my favorite Legion artist because he’s able to perfectly capture their youthful nature. I also really dug his work on Booster Gold and an all-too-brief run on Justice League. Why DC or Marvel hasn’t snatched him up for a major title is beyond me. I think he’d really rock on a New Gods revival, too.

3. John Byrne – Back in the day, Byrne was a stud. I followed him from X-Men to Fantastic Four to Alpha Flight to Superman… At some point, I think his work became somewhat less appealing to me but I still enjoy it. Aside from his work on Fantastic Four, I generally prefer him as an artist and not a writer but he’s capable of doing fine work on both sides of the creative fence.

2. Alan Davis – Captain Britain. Excalibur. The Nail. Batman. X-Men. Superboy’s Legion. I could go on and on. I am mad about his artwork. It’s fun, it’s sleek, it’s everything I want from a superhero artist. I’ve bought books simply because he drew them, even when I knew I’d dislike the story. He’s simply that good.

1. George Perez – The king of superhero artists in my opinion. He’s known for his crowd scenes — and they are awesome — but he’s also a fine character-based storyteller. Look at his run on New Teen Titans or Wonder Woman for proof. And unlike some artists, I find his later work to be just as good as the older stuff… Legion of 3 Worlds, his Avengers run with Kurt Busiek and his work on Worlds’ Finest are all fine examples of his more recent books that I think are great. For me, I’ll always associate him with the Titans first and foremost, then his work on Crisis. He also drew a fine, fine run of JLA.

My Favorite Fantastic Four Runs

ffI’ve been on a Fantastic Four kick lately, re-reading lots of old FF adventures and loving them. Like DC’s Challengers of the Unknown, the FF is a very pulp-style concept and it lends itself to those kinds of storytelling. The family aspect of the team is also very appealing and sets them apart from other superhero groups.

So what runs are my favorites? Let’s take a gander:

8. Mark Waid/Mike Wieringo – I don’t love this run as much as others do. While I am a huge Wieringo fan, something never clicked with me during his FF run and the plots varied wildly in quality. Having said that, I actually enjoyed the mystic-centered Doom storyline and appreciated the fact that the FF’s family relationships were highlighted so strongly.

7. Chris Claremont/Salvador Larocca – Yes, it was basically the FF hanging out with all kinds of X-Men concepts but it had some great moments and it gave us Valeria, for which I will always be grateful. Besides, I liked the stuff with the Captain Britain Corps, Ronan and even Crucible. It was a fun period for the FF but it did rely too heavily upon Claremont’s mutant storylines.

6. Steve Englehart/Keith Pollard – This much-maligned run is a real guilty pleasure of mine. I always adore Englehart’s characterization and thought this run did a lot to recapture the epic scope of the FF. The team traveled all around the globe and into other dimensions, while uncovering all kinds of hidden Marvel lore. It also guest-starred Mantis, Kang, the Beyonder (they did a storyline called Secret Wars III that was, to me, absolutely wonderful) and tons more. The artwork was solid and the team dynamics — for most of the period, the squad was Ben (as leader), Johnny, Crystal and She-Thing — were a lot of fun to watch.

5. Marv Wolfman/Keith Pollard/John Byrne – The Wolfman period featured not only the greatest Reed/Doom battle of all time (issue 200) but also featured a wonderful multi-issue storyline where the FF teamed up with Nova and the Champions of Xandar to take on Galactus and The Sphinx. The throwdown between Galactus and The Sphinx remains one of my all-time favorite FF moments. As always with Wolfman, the characterization and plotting are pitch-perfect.

4. Carlos Pacheco/Jeff Loeb/Rafael Marin – First off, the art was incredible. Second, these guys actually made me enjoy two villains that had always bored the crap out of me: Diablo and Annihilus. The characterizations were great, the plots were exciting and I only wish that Pacheco could have stayed on even longer. I never hear people talking about this era but they should: it was tremendously fun!

3. Tom DeFalco/Paul Ryan – Yes, there were missteps along the way (Sue’s peekaboo costume, for instance) but there was so much great stuff, too. Even Sue’s costuming had a story explanation — Malice was influencing her, after all. I dearly wish this entire run was collected in trade. The art was solid and some of the storylines are just sheer, unadulterated fun. It really was like a Silver Age comic written with a dash of 90s sensibilities thrown in. Plus, it was one of the last times where it felt like the Fantastic Four title was a place where Important Things Happen. The “death” of Reed led to a heavy emphasis on both Kristoff and Ant-Man, which was fine by me, and I actually even enjoyed Hyperstorm.

2. John Byrne – An absolutely masterful run. Some of these stories are such absolute classics that it’s hard to limit yourself to naming just a few — the terror in a tiny town issue, the battle with Gladiator, the “everybody vs. Galactus” story, the arrival of She-Hulk to the team, etc. This period is rightfully considered one of the title’s Golden Ages and if you haven’t read it in its entirety, you haven’t read the FF.

1. Stan Lee/Jack Kirby – How can you not put this at the top? A 102 issue run (plus annuals) that set the foundation for the entire Marvel Universe. The Inhumans, Doctor Doom, Galactus, The Silver Surfer, the Kree, the Skrulls… you could go on and on. Kirby’s art was at its peak, Lee’s grandiose storytelling was never better… this is the pinnacle of the Marvel Silver Age.

What about you guys? What are your favorite FF runs?

My Favorite Fantastic Four Runs

ffI’ve been on a Fantastic Four kick lately, re-reading lots of old FF adventures and loving them. Like DC’s Challengers of the Unknown, the FF is a very pulp-style concept and it lends itself to those kinds of storytelling. The family aspect of the team is also very appealing and sets them apart from other superhero groups.

So what runs are my favorites? Let’s take a gander:

8. Mark Waid/Mike Wieringo – I don’t love this run as much as others do. While I am a huge Wieringo fan, something never clicked with me during his FF run and the plots varied wildly in quality. Having said that, I actually enjoyed the mystic-centered Doom storyline and appreciated the fact that the FF’s family relationships were highlighted so strongly.

7. Chris Claremont/Salvador Larocca – Yes, it was basically the FF hanging out with all kinds of X-Men concepts but it had some great moments and it gave us Valeria, for which I will always be grateful. Besides, I liked the stuff with the Captain Britain Corps, Ronan and even Crucible. It was a fun period for the FF but it did rely too heavily upon Claremont’s mutant storylines.

6. Steve Englehart/Keith Pollard – This much-maligned run is a real guilty pleasure of mine. I always adore Englehart’s characterization and thought this run did a lot to recapture the epic scope of the FF. The team traveled all around the globe and into other dimensions, while uncovering all kinds of hidden Marvel lore. It also guest-starred Mantis, Kang, the Beyonder (they did a storyline called Secret Wars III that was, to me, absolutely wonderful) and tons more. The artwork was solid and the team dynamics — for most of the period, the squad was Ben (as leader), Johnny, Crystal and She-Thing — were a lot of fun to watch.

5. Marv Wolfman/Keith Pollard/John Byrne – The Wolfman period featured not only the greatest Reed/Doom battle of all time (issue 200) but also featured a wonderful multi-issue storyline where the FF teamed up with Nova and the Champions of Xandar to take on Galactus and The Sphinx. The throwdown between Galactus and The Sphinx remains one of my all-time favorite FF moments. As always with Wolfman, the characterization and plotting are pitch-perfect.

4. Carlos Pacheco/Jeff Loeb/Rafael Marin – First off, the art was incredible. Second, these guys actually made me enjoy two villains that had always bored the crap out of me: Diablo and Annihilus. The characterizations were great, the plots were exciting and I only wish that Pacheco could have stayed on even longer. I never hear people talking about this era but they should: it was tremendously fun!

3. Tom DeFalco/Paul Ryan – Yes, there were missteps along the way (Sue’s peekaboo costume, for instance) but there was so much great stuff, too. Even Sue’s costuming had a story explanation — Malice was influencing her, after all. I dearly wish this entire run was collected in trade. The art was solid and some of the storylines are just sheer, unadulterated fun. It really was like a Silver Age comic written with a dash of 90s sensibilities thrown in. Plus, it was one of the last times where it felt like the Fantastic Four title was a place where Important Things Happen. The “death” of Reed led to a heavy emphasis on both Kristoff and Ant-Man, which was fine by me, and I actually even enjoyed Hyperstorm.

2. John Byrne – An absolutely masterful run. Some of these stories are such absolute classics that it’s hard to limit yourself to naming just a few — the terror in a tiny town issue, the battle with Gladiator, the “everybody vs. Galactus” story, the arrival of She-Hulk to the team, etc. This period is rightfully considered one of the title’s Golden Ages and if you haven’t read it in its entirety, you haven’t read the FF.

1. Stan Lee/Jack Kirby – How can you not put this at the top? A 102 issue run (plus annuals) that set the foundation for the entire Marvel Universe. The Inhumans, Doctor Doom, Galactus, The Silver Surfer, the Kree, the Skrulls… you could go on and on. Kirby’s art was at its peak, Lee’s grandiose storytelling was never better… this is the pinnacle of the Marvel Silver Age.

What about you guys? What are your favorite FF runs?

Top 10 Favorite Comics Artists

perezYeah, I like lists.

Anyway, in the past I’ve listed out my favorite Spider-Man writers, my favorite Spidey villains, my favorite classic and new pulp heroes & villains… heck, I even listed out my ten favorite pulp-inspired comics.

Today we’re looking at my top 10 favorite comic book artists. These are guys who always excite me when I hear their names are attached to various projects and over the years I’ve shared their work on my Facebook, on Tumblr, etc.

So let’s go!

10. Steve Rude – The Dude first came to my attention when he was working on Nexus. Loved the way he depicted the entire cast and he’s really underrated in the way that he draws facial expressions. The guy’s a master, period.

9. Jim Aparo – Aparo was the definitive Batman artist for me in the Seventies and I enjoyed his work on the Batman and the Outsiders series a lot. He also did great work on Aquaman over the years and in Brave and the Bold, he got to draw just about everybody!

8. Keith Giffen – If I had made this list in the 80s, Giffen would have been much, much higher. I adored his work on Legion of Super-Heroes but eventually his style became much more manic. I still enjoy it a lot (especially on Kirby-influenced projects) but there are times it comes off as a hot mess. Still, I’m always curious when I see his name attached to a project.

7. Will Meugniot – Will became one of my faves when he was doing DNAgents back in the 80s but I have continued to follow him through his work on Vanity and Femforce. He’s a remarkably talented guy and I’ve loved that I’ve had the chance to work with him on my own books.

6. Gene Colan – Colan was a master of atmosphere. I adored his pencils on Tomb of Dracula, Batman and Night Force. His work on other titles was sometimes a little odd in ways but I still loved his work. I mean, I would never have put him on Iron Man or Daredevil, for instance, and yet his pencils were so awesome that I didn’t even mind that he wasn’t a traditional superhero artist. He did work well on Batman, though.

5. Ivan Reis – The newest name on my list, Reis has really impressed me with his work on titles like Blackest Night, Green Lantern, Justice League and Aquaman. He’s amazing!

4. Chris Batista – I first noticed him on Legion of Super-Heroes and he’s actually my favorite Legion artist because he’s able to perfectly capture their youthful nature. I also really dug his work on Booster Gold and an all-too-brief run on Justice League. Why DC or Marvel hasn’t snatched him up for a major title is beyond me. I think he’d really rock on a New Gods revival, too.

3. John Byrne – Back in the day, Byrne was a stud. I followed him from X-Men to Fantastic Four to Alpha Flight to Superman… At some point, I think his work became somewhat less appealing to me but I still enjoy it. Aside from his work on Fantastic Four, I generally prefer him as an artist and not a writer but he’s capable of doing fine work on both sides of the creative fence.

2. Alan Davis – Captain Britain. Excalibur. The Nail. Batman. X-Men. Superboy’s Legion. I could go on and on. I am mad about his artwork. It’s fun, it’s sleek, it’s everything I want from a superhero artist. I’ve bought books simply because he drew them, even when I knew I’d dislike the story. He’s simply that good.

1. George Perez – The king of superhero artists in my opinion. He’s known for his crowd scenes — and they are awesome — but he’s also a fine character-based storyteller. Look at his run on New Teen Titans or Wonder Woman for proof. And unlike some artists, I find his later work to be just as good as the older stuff… Legion of 3 Worlds, his Avengers run with Kurt Busiek and his work on Worlds’ Finest are all fine examples of his more recent books that I think are great. For me, I’ll always associate him with the Titans first and foremost, then his work on Crisis. He also drew a fine, fine run of JLA.