Tag: Emma Watson

What Are You Doing, Barry?

emma-watson-elle-2011-8_thumbI ask myself that all the time.

I finished off the Captain Action novel awhile back and it was sent off to the guys at Airship 27 plus the license holders. Editor-in-Chief Ron Fortier gave the book a big thumb’s up so I think it’s probably on the fast track to getting published. I had a blast writing it and working with Jim Beard.

I also completed the Nightveil novel — “The Quiet Girls.” I’m really proud of that one and I’m hoping that Tommy Hancock at Pro Se and Bill Black at AC Comics approve of what I’ve done. I created a few new characters in this one and I think that some of them would make for good recurring foes and friends for Laura Wright. We’ll see if anybody at AC wants to incorporate the story into the comic book canon.

I’m currently working on the second story for Lazarus Gray Volume Eight. “Wait,” you ask, “shouldn’t that read Volume Seven?” No — I’ve already written book seven and it’s already in the hands of the good folks at Pro Se. It should appear later this year, though I suspect it will be after the third book in the Gravedigger series — also complete and at the publisher.

It’s good to be ahead on deadlines, isn’t it?

If you guys have any questions about upcoming works, feel free to ask away!

Writers That Have Inspired Me

EmmaWatson-HarryCrowder03I’m not going to go in-depth as to why these guys have influenced me since in many ways, it would be hard to nail it down. These are authors that have been favorites of mine and are ones that when I read them, I consciously go “Wow, look how they did that! I want to be able to do that!” I certainly read and enjoy other authors besides just these guys but these are the ones that I’d list as inspirations (in no order other than what popped in my head). Some of them have styles that are very different from my own but I still feel like I’ve taken something from them along the way.

Paul Ernst

Robert E. Howard

Walter Gibson

Stephen King (“old” King anyway — ’70s & ’80s)

Michael Moorcock (Elric specifically)

Rob MacGregor (his Indiana Jones work)

Andy McDermott

Edgar Rice Burroughs

Frank Herbert (his Dune series)

Timothy Zahn

Chris Claremont

Clive Cussler

Marv Wolfman

Geoff Johns

Jim Shooter

Wayne Reinagel

Arthur Conan Doyle

Derrick Ferguson

F. Scott Fitzgerald

From the Vault: Dangerous Curves Ahead

Emma Watson hotI gave a how-to writing class to a group of high schoolers about four years ago and one of the young men asked me how I wrote female characters. Having written several books starring female protagonists (The Damned Thing, Rabbit Heart and Gravedigger all come to mind), I immediately had a response. I said that you should always start thinking of your characters as people first and gender later. I told him that there is no one “type” of woman out there… there are women who cry at the drop of a hat but then there are women who are tough as nails. There are women who love to shop and wear pink… there are also women who love mixed martial arts and who can drink any man under the table. There are even women who love to wear pink, cry at the drop of a hat, are still tough as nails, love mixed martial arts *and* can drink any man under the table.

Women are people first. The same goes for different races or anything, really.

I also told him that if he were still worried, to look at the women around him — his friends, his family, his sisters. Think about how multifaceted those women are and then incorporate that into his work.

When I was creating Gravedigger, I thought of ways to make her different from my other characters — but not once did I think of her gender as being a personality trait. She’s a much harder-edged character than Lazarus Gray, because of her life experiences. Yes, she’s a beautiful woman… yes, she could be a mother someday. But she’s a human being first. I don’t need to worry about writing “women” because I know how to write “people.” I mean, I am one!

Yes, sometimes you should incorporate differences into female characters but again, if you know more than a handful of women, you’ll know how different they all can be — some poke fun at men, some don’t. Some like to smoke, drink and swear. Some don’t. Some women would never have sex with a man outside of a committed relationship. Some women see nothing wrong with ‘Friends with Benefits.’

Never assume that a woman — or a man, for that matter — can’t act one way just because of their gender. We have certain societal norms, yes, but the degrees to which we all fall inside or outside of them vary tremendously.

When it comes to sexualizing your characters, you have to know your character, your story and your audience. With my heroines, all of them are beautiful, yes — but this is adventure fiction. The women are beautiful and the men are handsome. I never try to objectify my female characters any more than I do the male ones — in other words, I do objectify them in the sense that they’re attractive and this is mentioned… but they’re far more than that. Pulp is escapism and part of the appeal is that our heroes (male & female) are larger-than-life. They’re gorgeous, they’re brave and they’re heroic. They’re idealized. Even in Rabbit Heart, which is highly charged with sex and violence, I don’t think I treat the women in the story any different than I do the males — some of them are very emotionally unstable, some are promiscuous and some are just downright nasty… but that’s true of both genders in the story. And Fiona Grace, though driven by powerful needs, is still an idealized heroine who rises above it all. Yes, Fiona’s outfit on the cover is risque — but if you read the story, you’ll know there’s a major reason why it’s shown that way. The story deals with archetypes and the way society views them — and Fiona is forced to play that part, to a degree.

So keep the focus on the *person* and not the gender… in the long run, it’ll pay off for you!

Writers Who Have Inspired Me

EmmaWatson-HarryCrowder03I’m not going to go in-depth as to why these guys have influenced me since in many ways, it would be hard to nail it down. These are authors that have been favorites of mine and are ones that when I read them, I consciously go “Wow, look how they did that! I want to be able to do that!” I certainly read and enjoy other authors besides just these guys but these are the ones that I’d list as inspirations (in no order other than what popped in my head). Some of them have styles that are very different from my own but I still feel like I’ve taken something from them along the way.

Paul Ernst

Robert E. Howard

Walter Gibson

Stephen King (“old” King anyway — ’70s & ’80s)

Michael Moorcock (Elric specifically)

Rob MacGregor (his Indiana Jones work)

Andy McDermott

Edgar Rice Burroughs

Frank Herbert (his Dune series)

Timothy Zahn

Chris Claremont

Clive Cussler

Marv Wolfman

Geoff Johns

Jim Shooter

Wayne Reinagel

Arthur Conan Doyle

Derrick Ferguson

From the Vault: Dangerous Curves Ahead

Emma Watson hotI gave a how-to writing class to a group of high schoolers about three years ago and one of the young men asked me how I wrote female characters. Having written several books starring female protagonists (The Damned Thing, Rabbit Heart and Gravedigger all come to mind), I immediately had a response. I said that you should always start thinking of your characters as people first and gender later. I told him that there is no one “type” of woman out there… there are women who cry at the drop of a hat but then there are women who are tough as nails. There are women who love to shop and wear pink… there are also women who love mixed martial arts and who can drink any man under the table. There are even women who love to wear pink, cry at the drop of a hat, are still tough as nails, love mixed martial arts *and* can drink any man under the table.

Women are people first. The same goes for different races or anything, really.

I also told him that if he were still worried, to look at the women around him — his friends, his family, his sisters. Think about how multifaceted those women are and then incorporate that into his work.

When I was creating Gravedigger, I thought of ways to make her different from my other characters — but not once did I think of her gender as being a personality trait. She’s a much harder-edged character than Lazarus Gray, because of her life experiences. Yes, she’s a beautiful woman… yes, she could be a mother someday. But she’s a human being first. I don’t need to worry about writing “women” because I know how to write “people.” I mean, I am one!

Yes, sometimes you should incorporate differences into female characters but again, if you know more than a handful of women, you’ll know how different they all can be — some poke fun at men, some don’t. Some like to smoke, drink and swear. Some don’t. Some women would never have sex with a man outside of a committed relationship. Some women see nothing wrong with ‘Friends with Benefits.’

Never assume that a woman — or a man, for that matter — can’t act one way just because of their gender. We have certain societal norms, yes, but the degrees to which we all fall inside or outside of them vary tremendously.

When it comes to sexualizing your characters, you have to know your character, your story and your audience. With my heroines, all of them are beautiful, yes — but this is adventure fiction. The women are beautiful and the men are handsome. I never try to objectify my female characters any more than I do the male ones — in other words, I do objectify them in the sense that they’re attractive and this is mentioned… but they’re far more than that. Pulp is escapism and part of the appeal is that our heroes (male & female) are larger-than-life. They’re gorgeous, they’re brave and they’re heroic. They’re idealized. Even in Rabbit Heart, which is highly charged with sex and violence, I don’t think I treat the women in the story any different than I do the males — some of them are very emotionally unstable, some are promiscuous and some are just downright nasty… but that’s true of both genders in the story. And Fiona Grace, though driven by powerful needs, is still an idealized heroine who rises above it all. Yes, Fiona’s outfit on the cover is risque — but if you read the story, you’ll know there’s a major reason why it’s shown that way. The story deals with archetypes and the way society views them — and Fiona is forced to play that part, to a degree.

So keep the focus on the *person* and not the gender… in the long run, it’ll pay off for you!

Writers Who Have Inspired Me

EmmaWatson-HarryCrowder03I’m not going to go in-depth as to why these guys have influenced me since in many ways, it would be hard to nail it down. These are authors that have been favorites of mine and are ones that when I read them, I consciously go “Wow, look how they did that! I want to be able to do that!” I certainly read and enjoy other authors besides just these guys but these are the ones that I’d list as inspirations (in no order other than what popped in my head). Some of them have styles that are very different from my own but I still feel like I’ve taken something from them along the way.

Paul Ernst

Robert E. Howard

Walter Gibson

Stephen King (“old” King anyway — ’70s & ’80s)

Michael Moorcock (Elric specifically)

Rob MacGregor (his Indiana Jones work)

Andy McDermott

Edgar Rice Burroughs

Frank Herbert (his Dune series)

Timothy Zahn

Chris Claremont

Clive Cussler

Marv Wolfman

Geoff Johns

Jim Shooter

Wayne Reinagel

Arthur Conan Doyle

Derrick Ferguson

From the Vault: Dangerous Curves Ahead

Emma Watson hotI gave a how-to writing class to a group of high schoolers about two years ago and one of the young men asked me how I wrote female characters. Having written several books starring female protagonists (The Damned Thing, Rabbit Heart and Gravedigger all come to mind), I immediately had a response. I said that you should always start thinking of your characters as people first and gender later. I told him that there is no one “type” of woman out there… there are women who cry at the drop of a hat but then there are women who are tough as nails. There are women who love to shop and wear pink… there are also women who love mixed martial arts and who can drink any man under the table. There are even women who love to wear pink, cry at the drop of a hat, are still tough as nails, love mixed martial arts *and* can drink any man under the table.

Women are people first. The same goes for different races or anything, really.

I also told him that if he were still worried, to look at the women around him — his friends, his family, his sisters. Think about how multifaceted those women are and then incorporate that into his work.

When I was creating Gravedigger, I thought of ways to make her different from my other characters — but not once did I think of her gender as being a personality trait. She’s a much harder-edged character than Lazarus Gray, because of her life experiences. Yes, she’s a beautiful woman… yes, she could be a mother someday. But she’s a human being first. I don’t need to worry about writing “women” because I know how to write “people.” I mean, I am one!

Yes, sometimes you should incorporate differences into female characters but again, if you know more than a handful of women, you’ll know how different they all can be — some poke fun at men, some don’t. Some like to smoke, drink and swear. Some don’t. Some women would never have sex with a man outside of a committed relationship. Some women see nothing wrong with ‘Friends with Benefits.’

Never assume that a woman — or a man, for that matter — can’t act one way just because of their gender. We have certain societal norms, yes, but the degrees to which we all fall inside or outside of them vary tremendously.

When it comes to sexualizing your characters, you have to know your character, your story and your audience. With my heroines, all of them are beautiful, yes — but this is adventure fiction. The women are beautiful and the men are handsome. I never try to objectify my female characters any more than I do the male ones — in other words, I do objectify them in the sense that they’re attractive and this is mentioned… but they’re far more than that. Pulp is escapism and part of the appeal is that our heroes (male & female) are larger-than-life. They’re gorgeous, they’re brave and they’re heroic. They’re idealized. Even in Rabbit Heart, which is highly charged with sex and violence, I don’t think I treat the women in the story any different than I do the males — some of them are very emotionally unstable, some are promiscuous and some are just downright nasty… but that’s true of both genders in the story. And Fiona Grace, though driven by powerful needs, is still an idealized heroine who rises above it all. Yes, Fiona’s outfit on the cover is risque — but if you read the story, you’ll know there’s a major reason why it’s shown that way. The story deals with archetypes and the way society views them — and Fiona is forced to play that part, to a degree.

So keep the focus on the *person* and not the gender… in the long run, it’ll pay off for you!