I keep most of my New Pulp writing in the PG-13 range but I’ve been known to cross “the line” on occasion… some of you may remember when Sun Koh mutilated a rapist in an old Peregrine story, for instance. And my novel Rabbit Heart is basically a study in excess! Whenever I thought that I might be pushing the envelope too far in that book, I went ahead and tore it open.
But when is it *really* too far?
I’ve kept hardcore sex and violence out of Lazarus Gray, for instance, but there’s an element of subjectivity there, as with all artistic endeavors. When I wrote The Damned Thing, there was a scene early on that involved oral sex. To be honest, I’d forgotten about it by the time it saw print — it was just a brief character moment and believe it or not, not every scene sticks in the mind of the person who wrote it (I write a lot of scenes…). So when it came out, I had a reader who went on and on about that scene and how much it disturbed them. I didn’t even remember what they were talking about! See, for them, that was shocking and extremely memorable. For me, it was no big deal. So you never know how folks will respond.
But there are times when even I know that I might be going into territory that would be best left undisturbed. I’ve mentioned before that I started writing a sequel to Rabbit Heart — it was going to be titled Starstruck. In fact, I wrote about 12,000 words on it, meaning it’s about 20% complete. But even as I was writing the opening scenes of Starstruck, I knew that this probably couldn’t see print. Despite how far I’d gone with Rabbit Heart, I went a lot further into the disturbing territory with just the first 12,000 words on Starstruck. There is at least one scene in there that I think would be hard for people to get out of their heads when they thought of me… and I’m not quite sure I want to go there.
Nobody’s read Starstruck – not even people who’ve really begged & pleaded! I’ve thought about finishing it but it’s so dark and if I didn’t publish it, what would be the point? I’ve considered completing it and then sticking it in a box with a note to say that it could be published after I was dead & gone but then I’d miss the perverse pleasure of seeing people freak out!
On the other hand, I don’t want to tone the story down, either. If I’m going to write disgusting smut then by God, I’m going to write disgusting smut!
Anyway, I think that I’ll continue staying on the PG-13 path for most of my New Pulp work – I often try to craft stories that will appeal to adolescent boys the way that classic pulp did me when I was that age. A little titillation is fine but I try not to veer too far into adult territory. Of course, sometimes the characters demand their course of action (like Sun Koh did in that Peregrine story) and often what I consider PG-13 isn’t what someone else would. In fact, I had one lady tell me she’d never let her 15 year old son read my books because they contained too many “demonic” elements.
In the end, the work puts whatever restrictions on itself that feel appropriate. When I’m writing The Peregrine, there’s a certain feeling to the world that lets me know the basic parameters, even if I sometimes bump against the guard rails.