GRENDEL VS. THE SHADOW – Given that I love both Hunter Rose and The Shadow, this pairing excited me from day one. Add the fact that Matt Wagner was writing and drawing it… and you had the makings of a classic. This three-issue series lived up to its billing, showing exactly how a crossover should be done. Both characters got a chance to sign and their face-to-face confrontations crackled with energy and emotion. The artwork was beautiful all the way through and I liked the way that Wagner contrasted the two lead characters. The only stumble, for me, was that the time travel contrivance felt a bit too convenient and I’m not 100% onboard with the way Wagner portrays The Shadow/Margo relationship. Even so, I adored this series and will pick it up in trade. While not everything Dynamite has published with their pulp heroes has been to my liking, I’d rank this series, The Shadow: Year One and The Shadow/Green Hornet: Dark Nights as being among the best Shadow comics ever published.
Knight From Hell by David White: I’ve been a fan of David White’s writing for quite awhile. He’s got a straight-forward style that’s perfect for New Pulp stories. His works have that same breakneck pace that the classic pulp series did but he incorporates modern characterization and mature elements seamlessly.
This particular story is not for the easily offended. If the notion of angels fornicating and committing adultery doesn’t sit well with you, you might want to give it a pass. But if you’re willing to approach it with an open mind, you’ll find an intriguing protagonist that mixes the hard-boiled P.I. type with some fantasy elements.
Characters are briskly but vividly described and the tale manages to feel dense despite the small page count. Can’t wait for the follow-up!
Justice, Inc # 4: I think Michael Uslan is, along with Matt Wagner, one of the best Shadow writers working for Dynamite right now. This particular series reveals an alternate universe take on The Avenger, pairing him with both Doc Savage and The Shadow. The two “big” heroes are perfectly portrayed but The Avenger’s voice still feels slightly off to me — I’m going with the fact that he’s still so new and that this is a slightly different version to explain it. A pair of classic villains – John Sunlight and The Voodoo Master — are working together in this one and I love Voodoo’s scenery-chewing dialogue. It was odd not seeing Sunlight in his trademark monochromatic clothing, though. Art-wise, this is the best work I’ve ever seen from Giovanni Timpano. It’s solid throughout with nice facial expression. When all is said and done, I think this will stand beside Uslan’s Dark Nights as a wonderful addition to Shadow lore.
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